Watch as SDEtv unboxes the new Simple MindsSparkle in the Rain 4CD set and compares it to previous editions.
This box (and the coloured vinyl) are released on 22 November 2024, by UMR.
The SDE-exclusive blu-ray of Sparkle in the Rain (and New Gold Dream (81-82-83-84)) can be pre-ordered until 2 December – via the SDE shop using this link or via the buttons below – and will be released on 7 February next year.
Simple Minds‘ sublime 1982 album New Gold Dream (81-82-83-84) and its follow up, 1984’s chart-topping Sparkle in the Rain, will be reissued simultaneously as SDE exclusive blu-rays early next year.
New Gold Dream (81-82-83-84) is considered a true classic of the era described by Jim Kerr as the band’s “holy grail”. Critically acclaimed and commercially successful, the album spawned the three top 40 UK singles ‘Promised You A Miracle’, ‘Glittering Prize’ and ‘Someone Somewhere in the Summertime’.
The blu-ray features a brand new Dolby Atmos Mix of New Gold Dream (81-82-83-84) by legendary mixer Bob Clearmountain, in addition to new 5. 1 mixes, new stereo mixes and instrumental mixes, also by Clearmountain.
In fact, the SDE exclusive blu-ray features an impressive SIX different versions of the album:
Bob Clearmountain 2024 Dolby Atmos Mix (48/24)
Bob Clearmountain 2024 5.1 Mix (48/24)
Bob Clearmountain 2024 Stereo Mix (48/24)
Bob Clearmountain 2024 Instrumental Mix (96/24)
Ronald Prent & Charlie Burchill 2005 5.1 Mix (96/24)
Original Stereo mix (96/24)
This release represents the first time an entirely instrumental version of New Gold Dream (81-82-83-84) has been released.
It’s worth highlighting that the 2005 mix 5.1 mix is lossless on the blu-ray and features unique longer versions of many of the songs. It also exclusively includes a bonus track: ‘In Every Heaven’. Note: The original 5.1 mix features up-mixes of ‘Colours Fly and Catherine Wheel’ and ‘Promised You A Miracle’ because the multi-track tapes could not be found (they have since been located for the 2024 mixes).
Sparkle in the Rain was Simple Minds’ sixth studio album and was produced by Steve Lillywhite. It built on the success of New Gold Dream and features the iconic single ‘Waterfront’ as well other classic hits ‘Up On The Catwalk’ and ‘Speed Your Love To Me’.
The SDE blu-ray features a brand new Dolby Atmos Mix of Sparkle in the Rain by Bob Clearmountain, as well as new 5. 1 mixes, new stereo mixes and instrumental mixes, also by Clearmountain.
Additionally, Steven Wilson’s 5.1 and stereo mixes from 2014 have been remastered by Steven Wilson himself for inclusion on this blu-ray and Wilson’s unreleased instrumental mixes from 2014 are included as a bonus. The original stereo mix of the album completes a massively comprehensive offering.
The SDE exclusive blu-ray features an incredible EIGHT different versions of the album:
Bob Clearmountain 2024 Dolby Atmos Mix (48/24)
Bob Clearmountain 2024 5.1 Mix (48/24)
Bob Clearmountain 2024 Stereo Mix (48/24)
Bob Clearmountain 2024 Instrumental Mix (96/24)
Steven Wilson 2014 5.1 Mix (96/24)
Steven Wilson 2014 Stereo Mix (96/24)
Steven Wilson 2014 Instrumental Mix (96/24)
Original 1984 Stereo Mix (48/24)
Again, this is the first time an entirely instrumental version of Sparkle in the Rain has been album has been available.
New Gold Dream (81-82-83-84) and Sparkle in the Rain are numbers 32 and 33 in the ongoing SDE Surround Series of blu-ray audios with Atmos Mixes and both will ship with the free, collectible SDEslipcase. This acclaimed series has already delivered some classic 80s albums over the last few years including ABC’sThe Lexicon of Love, Tears For Fears’The Hurting, Soft Cell’s Non-Stop Erotic Cabaret and Bronski Beat’sThe Age of Consent (all are now out-of-print).
Here’s the now traditional reminder as to why this product is highly recommended:
It’s the only way to enjoy the Dolby Atmos mix of the albums via a physical product
You don’t need to sign-up to a streaming service such as Tidal or Apple Music to hear the spatial audio mixes
The Atmos Mix on the Blu-ray is not compressed due to streaming bandwidth restrictions. The Dolby Atmos version on a Blu-ray is encoded in Dolby TrueHD Atmos and has a bit rate 10 times higher (up to 8000 kbits/s) compared to streaming’s Dolby Digital Plus (768 kbits/s)
You own the product, you are not renting it from a digital service provider
The Blu-ray audio is an excellent format for music and you don’t want to see it die off
Supporting SDE with these initiatives leads to similar collaborations with labels/artists and we are keen to bring your more in the near future!
Both Simple Minds blu-rays are region-free and limited editions. They come with booklets and Sparkle inthe Rain includes Jim Kerr’s track-by-track guide. Theyare available to pre-order for 14 days and the pre-order window will close on 2 December 2024. Availability after that cannot be guaranteed, so secure your copy today by pre-ordering at the SDE shop, either directly via this link or using the special SDE shop buy button below. A two-blu-ray bundle is available. We ship worldwide.
The New Gold Dream (81-82-83-84) and Sparkle in the Rain blu-rays are a collaboration between SDE and UMR and will be released on 7 February 2025.
TECHNICAL NOTES: This blu-ray audio requires a blu-ray player. Decoding the Dolby Atmos mix requires a Dolby Atmos-certified soundbar or a Dolby Atmos-compatible AV Receiver/Amp. The Dolby Atmos mix will ‘fold down’ to 5.1 or stereo if a Dolby Atmos decoder is not detected. This product contains no video.
Tracklisting
New Gold Dream (81-82-83-84)Simple Minds/SDE exclusive blu-ray
New Gold Dream (81-82-83-84) in the following audio streams:
– Bob Clearmountain 2024 Dolby Atmos Mix (48/24) – Bob Clearmountain 2024 5.1 Mix (48/24) – Bob Clearmountain 2024 Stereo Mix (48/24) – Bob Clearmountain 2024 Instrumental Mix (96/24) – Original Stereo mix (96/24)
Someone Somewhere in Summertime 4:36
Colours Fly and Catherine Wheel 3:49
Promised You a Miracle 4:28
Big Sleep 5:00
Somebody Up There Likes You 5:02
New Gold Dream (81–82–83–84) 5.39
Glittering Prize 4.33
Hunter and the Hunted 5.55
King is White and in the Crowd 7.00
Ronald Prent & Charlie Burchill 2005 5.1 Mix (96/24)
Someone Somewhere in Summertime 5:22
Colours Fly and Catherine Wheel* 3:49
Promised You a Miracle*4:28
Big Sleep 5:27
Somebody Up There Likes You 5:45
New Gold Dream (81–82–83–84) 6:08
Glittering Prize 4:40
Hunter and the Hunted 6:09
King is White and in the Crowd 7:31
In Every Heaven✝︎ 4:46
*Up-mixes on 2005 5.1 mix ONLY
✝︎Appears only on 2005 5.1 mix
Tracklisting
Sparkle in the RainSimple Minds/SDE exclusive blu-ray
Sparkle in the Rain in the following audio streams:
– Bob Clearmountain 2024 Dolby Atmos Mix (48/24)
– Bob Clearmountain 2024 5.1 Mix (48/24)
– Bob Clearmountain 2024 Stereo Mix (48/24)
– Bob Clearmountain 2024 Instrumental Mix (96/24)
– Steven Wilson 2014 5.1 Mix (96/24)
– Steven Wilson 2014 Stereo Mix (96/24)
– Steven Wilson 2014 Instrumental Mix (96/24)
– Original 1984 Stereo Mix (48/24)
Up On the Catwalk
Book Of Brilliant Things
Speed Your Love to Me
Waterfront
East At Easter
Street Hassle
White Hot Day
“C” Moon Cry Like a Baby
The Kick Inside of Me
Shake Off the Ghosts
1 Tears For Fears / The Tipping Point
2 xPropaganda / The Heart is Strange
3 Gilbert O’Sullivan / Driven
4 Shakespears Sister / Hormonally Yours
5 Brian Eno / ForeverAndEverNoMore
6. Orbital / Optical Delusion
6.5 Various Artists / Concert For George
7 Ten Years After / A Space in Time
8 Bob Dylan / Time Out Of Mind (2022 Remix)
9 Tears For Fears / The Hurting
10 Mike Oldfield / Tubular Bells
11 Suede
12 ABC / The Lexicon of Love
13 Duran Duran / Danse Macabre
13a Duran Duran / Danse Macabre De Luxe
14 Trevor Horn / Echoes – Ancient and Modern
15 Soft Cell / Non-Stop Erotic Cabaret
16 Def Leppard / Diamond Star Halos
17 Paul Young / No Parlez
18 Mark Knopfler / One Deep River
19 Wham! / Fantastic
20 Wham! / Make It Big
21 Keane / Hopes and Fears
22 Luther Vandross / Never Too Much
23 Crowded House / Gravity Stairs
24 Ultravox / Lament
25 Tori Amos / Unrepentant Geraldines
26 Bronski Beat / The Age of Consent
27 Thin Lizzy / 1976: Jailbreak and Johnny The Fox
1964 US Albums in Mono is an 8LP vinyl box set of Beatles’ albums compiled for U.S. release between January 1964 and March 1965 by Capitol Records and United Artists. SDE review on the way…
4CD+blu-ray media book edition of Marillion’s 1997 album includes a previously unreleased complete recording of the band’s 1997 performance in Grand Rapids, B-sides & rarities, a 5.1 mix and an 85-minute documentary
The brilliant Michael Kiwanuka returns with his fourth album, Small Changes. Like KIWANUKA it was produced with Danger Mouse and Inflo. Signed CD available via Amazon UK.
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a-ha’s 2009 album, Foot of the Mountain, will be reissued on vinyl next month.
The band’s ninth studio long-player saw them return to a more synth-based sound, echoing their production for the hits from the 1980s, such as ‘Take On Me’, ‘The Sun Always Shines on TV’ and ‘Cry Wolf’.
The title track reached the top 10 in Germany and Norway and the album was well received by critics and fans alike. Highlights include the dark opener ‘The Bandstand’, the perky ‘Riding The Crest’, the melodic ‘Shadowside’ and the driving ‘Mother Nature Goes to Heaven’.
Foot of the Mountain received a fairly limited vinyl release at the time, but it didn’t hang around for long. Therefore, this new edition, pressed on ‘crystal clear’ vinyl, will undoubtedly be welcomed.
Foot of the Mountain clear vinyl pressing will be released on 6 December 2024, via UMR
The pre-order window for the Elton JohnDiamonds SDE-exclusive blu-ray is about to close.
#31 in the ongoing SDE Surround Series, this blu-ray audio features 48 classic Elton John singles in immersive Dolby Atmos, mixed by Greg Penny (full tracklisting, below). The mixes sound INCREDIBLE and the disc looks great as well, as you can see from the sneak peek below.
Listening to a test disc of the #EltonJohn Diamonds SDE-exclusive blu-ray. It's AMAZING! The visualisers are fab, too. 48 songs in Atmos! This limited edition is a 'must buy' if you like Elton & immersive audio. Pre-order closes in 2 days. Get yours here> https://t.co/6XpYVt51W3pic.twitter.com/J7Ooy9nXpN
If you do not have an Atmos set-up just yet, the Dolby Atmos mixes will ‘fold down’ to 5.1 for the next best surround sound experience.
This really is one you do not want to miss out on! The blu-ray audio will ship with a free and collectible SDE slipcase and is exclusively available via the SDE shop using this link or the buttons below.
The pre-order window closes tomorrow, on Saturday 16 November and is the last point you can guarantee a copy of this release, although there may be some availability due to cancellations/contingency stock much nearer to the release date (27 December 2024).
TECHNICAL NOTES: This blu-ray audio requires a blu-ray player. Decoding the Dolby Atmos mix requires a Dolby Atmos-certified soundbar or a Dolby Atmos-compatible AV Receiver/Amp. The Dolby Atmos mix will ‘fold down’ to 5.1 or stereo if a Dolby Atmos decoder is not detected. This product contains no video.
Tracklisting
DiamondsElton John/SDE-exclusive blu-ray audio
Diamonds : The Ultimate Greatest Hits Collection
Dolby Atmos and 48/24 hi-res stereo
Your Song
Tiny Dancer
Rocket Man (I Think It’s Going To Be A Long, Long Time)
Honky Cat
Crocodile Rock
Daniel
Saturday Night’s Alright (For Fighting)
Goodbye Yellow Brick Road
Candle In The Wind
Bennie And The Jets
The Bitch Is Back
Philadelphia Freedom
Island Girl
Someone Saved My Life Tonight
Don’t Go Breaking My Heart
Sorry Seems To Be The Hardest Word
Little Jeannie
Song For Guy
Blue Eyes
I’m Still Standing
I Guess That’s Why They Call It The Blues
Sad Songs (Say So Much)
Nikita
I Don’t Wanna Go On With You Like That
Sacrifice
Something About The Way You Look Tonight
I Want Love
Can You Feel The Love Tonight
Are You Ready For Love?
Electricity
Home Again
Looking Up
Circle Of Life
Skyline Pigeon
Lucy In The Sky With Diamonds
Pinball Wizard
Mama Can’t Buy You Love
Part-Time Love
Empty Garden (Hey Hey Johnny)
Kiss The Bride
The One
True Love [with Kiki Dee]
Believe
Live Like Horses [with Pavarotti]
Written In The Stars [with LeAnn Rimes]
This Train Don’t Stop There Anymore
Good Morning To The Night [Elton vs Pnau]
Step Into Christmas
Stereo Only
Don’t Let The Sun Go Down On Me [with George Michael]
That’s What Friends Are For [with Dionne Warwick, Stevie Wonder and Gladys Knight]
The reissue is being released on CD and vinyl and features the original recording from 1984, the Band Aid 20 version (from 2004) and the song as sung by ‘Band Aid 30’ in 2014. It also features the “if you’re going to cock it up…” rendition performed at the end of Live Aid in 1985.
However, this release’s claim to fame is a new ‘Ultimate Mix’ created by Trevor Horn that mixes vocal contributions of the many artists who have recorded the song over the decades into one seamless whole. So in other words, you can hear a Sting sing alongside Ed Sheeran, Boy George with Sam Smith, and George Michael with Harry Styles, etc.
https://www.youtube.com/watch?v=AGwEgY5An8w
The 1989 ‘Band Aid II’ version isn’t included in this new edit, since the multi-tracks cannot be found, although that doesn’t explain why the 89 version isn’t included on the CD and vinyl in its original form.
While we’re talking omissions, it feels like a missed opportunity not to have included the original 1984 12-inch version on at least the CD (the ‘Feed The World’ B-side is also absent), but of course this is all for a good cause, with proceeds going to the Band Aid Trust.
Do They Know It’s Christmas? will be released on 29 November 2024. It will be premiered online on 25 November.
Roxette’s 1994 album Crash! Boom! Bang! will be reissued for its 30th anniversary, next month.
The group’s fifth album includes the singles ‘Sleeping In My Car’, ‘Fireworks’, ‘Run To You’, ‘Vulnerable’ and the title track and despite the fact that ‘Sleeping In My Car’ was the only significant hit, Crash! Boom! Bang! was a top three album in most European countries (they’d lost America by this point where Roxette enjoyed four No 1 singles between 1989 and 1991).
2LP vinyl features one white LP and one black one
The Crash! Boom! Bang! reissue comes in 2CD deluxe and 2LP vinyl formats. The former includes a bonus CD with 23 demo recordings of songs considered for the album, while the latter offers the album on white and black LPs.
Like many artists in the CD era of the ’90s, Roxette were guilty of producing some overlong albums; the original release was 15 tracks and ran for 62 mins and this reissue is even longer, since it features three bonus tracks first included on the 2009 reissue.
Crash! Boom! Bang! will be reissued on 6 December 2024, via Parlophone.
Now That’s What I Call Music will release a new ‘Now Presents…’ vinyl box set in December. NOW Presents…12″ 80s: Part One – 1980-1982 features five vinyl records each pressed in a different transparent colour vinyl – red, yellow, green, blue and purple.
SDE in the US to see Duran Duran and Tears For Fears (If you haven’t read Day Three, head here)
We were in Las Vegas to see Tears For Fears. This was the main point of the trip, since obviously I had been collaborating with band, management and label on the SDE exclusive on Songs For A Nervous Planet. Roland Orzabal and Curt Smith’s celebratory ‘residency’ (three days) was too good to miss and after an okay sleep in the first of two nights in Nevada, today was the big day!
One thing I discovered is the big hotels in Vegas don’t tend to ‘do’ breakfast as part of the inclusive deal. It’s not even a bolt-on; there is no traditional hotel breakfast area with a massive buffet with cold cuts, fruit, cereals, sausage and bacon and a chef offering to make you omelettes or scrambled eggs. They just want you to use one of their resident restaurants or cafes or similar. Since they tend to be really expensive – and in the case of FontaineBleau not really appropriate, anyway – there was only one thing for it – go and find a Denny’s!
Diners are part of the mythology of America for me. I think they are brilliant: booths, free coffee top-ups, friendly staff saying things like “What can I get you, honey?”. That whole bar thing, where some people (normally on their own) sit choose to sit up at the ‘counter’ and eat and drink as busy chefs in the back kitchen cooking to order, with every walk of life coming in and out. They’ve be going since 1954 and are obviously a big chain. On a family holiday to Florida around a decade ago, we ended up in Denny’s virtually every morning with my two daughters loving the endless pancakes, bacon, etc. I know I’m probably romanticising it a little bit but there really is nothing like this in the UK.
Breakfast at Denny’s
I was pleased to discover that there was indeed a Denny’s not too far from the hotel. It was probably a 15 minute walk, but of course no one walks anywhere in a place like Vegas, so it wasn’t the best walk in the world. The car is king in America and if you choose to take the role of ‘pedestrian’ then good luck! The roads are massive and wide and it’s just an endless expansive or concrete, tarmac, traffic lights and infrastructure to allow cars to go from A to B. It can be confusing – especially that thing where the ‘walk’ sign is showing, meaning you can cross, yet cars are still allowed to turn into the road you are in the middle of, although they must give way to people crossing. That can be hairy, although thankfully there was no call for any bonnet-slapping and a Ratso Rizzo cry of “I’m walkin’ here!!”. Nevertheless, the traverse across many big roads meant that at times I rather felt like Steve Martin walking across that “fucking runway” in Planes, Trains and Automobiles, but we got to Denny’s in the end and it didn’t disappoint.
We were welcomed in by the person who stands at the front and greets you and pleasingly shown to a booth (I didn’t come all the way to the States to sit at a normal table and chair in Denny’s!). As is fairly well known, you can get huge portions in the USA so you have to bear that in mind when you’re over from the UK. A ‘small’ coffee from a Starbucks or equivalent is quite often closer to ‘large’ over here, and the large ones are like buckets, so choose carefully. Denny’s had some massive looking breakfasts (or ‘slams’, as they like to call them) but a top tip is to seek out the ‘value’ menu which has some ‘no frills’ style breakfasts at great prices. In the end I had two bacon, two (small) sausages, some excellent hash browns, scrambled eggs and two pancakes for just $10, which seemed like a bargain. In America, baked beans as part of this kind of breakfast is not a ‘thing’. Anne suggested that she might share my pancakes, but I pointed out that a) I was hungry and b) you can add a two pancake “stack” to any breakfast for just $2. Denny’s also have proper containers of ketchup on the table, none of this ‘sachet’ nonsense. I’m here to enjoy a breakfast not to stress about two sachets of sauce not being enough for my bacon and eggs! It was great and really did set us up for the day. I’m so sad, I bought a Denny’s mug as a memento and we already knew that we’d be back the following day.
While sitting at breakfast I did a google map search for record shops in Vegas. To be honest, with no car on such a short stay, and with the roads feeling quite busy (preparations for the Formula 1 Grand Prix at the end of November were already underway), I wasn’t expecting to do any record shopping, but I got very lucky because around the corner from where we were sitting was Record City, in what, from the photos on google, looked like a very promising record shop! It was about a 10 minute walk and since it was still only 9.30am, I wasn’t expecting it to be open, but wanted to do a recce for later. It certainly didn’t look open but upon closer inspection the outer metal security gate on the front door was unlocked and ajar, suggesting that we might be able to go in. You couldn’t see inside because the premising have the look of some kind of military dorm from the outside, with few windows, painted in an austere grey, but it clearly was a record shop (“Buy / Sell / Trade – LPs. CDs. Movies. was painted in large letters on the side) and once we were inside, the place was warm and welcoming with the owner/manager and staff member very friendly indeed.
Visiting Record City
Of course the excitement of entering a secondhand record shop (Record City do new vinyl as well) you’ve never been in before is significant and I could immediately tell I was going to need a good hour or two in this place to even scratch the surface. Of particular interest to me was an enormous laserdisc section (I’m a bit of a collector) where most titles were $5 or $6, with some as low as $3. You just never see laserdiscs in shops in the UK. It’s eBay or nothing. By the time you’ve paid postage you rarely get much change from £10 for a single disc, so $3 felt like a giveaway price. I expressed an interest and the manager said he’d do me a good deal on top of the already cheap prices. Fantastic, but they had so many laserdiscs it was going to take ages to go through them. We had to head back to the hotel so I promised to return later that day on my own for a serious rummage, although I did pick up three CDs there and then to show willing! They were not open on Sundays and since we were leaving on Sunday evening it was today or never, for Record City!
Fast forward to later in the day and I came back and ended up buying about 15 laserdiscs including 90s classics like Robert Altman’s Short Cuts and The Player, Francis Ford Coppola’s The Conversation, Brian De Palma’s Blow Out and various others. They gave me a great deal on top of the already good prices and when I asked if they sold laserdiscs very often, the boss laughed and said “not really”. There were still literally thousands of discs in the shop which are going to be there for years unless they choose to dump them in landfill. It pained me that I couldn’t get more due largely to luggage restrictions.
Tears For Fears on stage at the Bleaulive theatre at the Fontainebleau hotel (click to enlarge)
We were of course looking forward to seeing Tears For Fears in the evening. The main event. The feature presentation. A text from the manager confirmed we could come and say hello to Roland and Curt at about 7.30pm, only half an hour before ‘showtime’. Fantastic!
We picked up our tickets from the box office complete with stickers providing us with access to the “family and friends” aftershow and headed down to the bowels of the theatre with a small group of other people and took a lift down to an area that was clearly underneath the main theatre. After much anticipation, Roland and Curt wandered casually out, all dressed and ready to go on stage. Roland’s ‘look’ in particular – his hair, scarf and white jacket – had the wow factor and of course it was lovely to get the opportunity to grab few words with both of the guys and a photo opportunity. I’d seen both of them less than two weeks earlier (for the interview in London) so there was a little bit of joshing along the lines of “what are you doing out here?!” but despite having met them on a number of occasions this felt really special. I congratulated them on Songs For A Nervous Planet entering the UK charts at No 6 (which had happened the day before) and with handshakes exchanged, I said “have a great show” and we were on our way back upstairs to take our seats for the evening’s performance. If it felt a touch Spinal Tap I did not observe any banging on doors and cries of “Rock n’ Roll!!”
The show itself was incredible. The main structure and setlist was, in essence, the same as on Tears For Fears Live: A Tipping Point Film but they had found space to incorporate all four new studio tracks that kick off the Songs For A Nervous Planet album (‘Say Goodbye to Mum and Dad’, ‘The Girl That I Call Home’, ‘Emily Said’ and ‘Astronaut’). Hearing them live and fused into the setlist alongside Tipping Point tracks and all those great hits from yesteryear somehow validated the tracks, even though I already really liked all of them. I wonder if they’ll ever play all four songs in a live set again? They dropped ‘Change’ and didn’t play ‘Secret World’ from Everybody Loves A Happy Ending, but most excitingly they did play the rocky ‘Quiet Ones’ from that 2004 album, the first live performance in 14 years. I’ve always loved that song, so it was fantastic to hear it live (the first time I’d heard it performed since I saw the band at Hammersmith in 2005).
Roland and Curt playing ‘Broken’ after ‘Head Over Heels’
We had great seats about seven rows from the front and people were standing for most of the show and really enjoying the show. The Bleaulive theatre has a capacity of 3,800 so it’s like having Hammersmith Odeon hidden away in your hotel!
At the end of the show I headed to the merch stand because after regretting not picking up a Duran Duran T-shirt in New York, I wasn’t going to make the same mistake twice. There was a decent range of gear and prices were okay. I’ve seen worse.
With our badges on, we headed for the ‘Family and Friends’ aftershow, which again, was somewhere in the depths of the facility. It really was a small room and I spotted various band members and Roland’s wife Emily. Didn’t see Curt but I turned around and there was Roland with a big smile asking what we thought of the show. We chatted for about 10 minutes which was a wonderful end to a wonderful day. All that was left to do was retreat back to the bar on the first floor of Fontainebleau and talk about the gig and the fun we were having on our trip to America which was about to come to an end. Stay tuned for the diary of the last day on SDE later this week.
Side 1
1 Hang On To Yourself (early Ziggy session take)
2 Star (Take 5 alternative version)
3 Lady Stardust (Take 1 alternative version)
4 Shadow Man (Ziggy session version)
5 The Supermen (Ziggy session version 2023 mix)
6 Holy Holy (Ziggy session version alternative mix)
7 Round And Round (alternative mix)
Side 2
1 Velvet Goldmine (Ziggy sessions outtake 2022 mix)
2 Looking For A Friend (Ziggy session version)
3 It’s Gonna Rain Again (Ziggy sessions outtake)
4 Sweet Head (Ziggy sessions outtake 2022 mix)
5 Starman (Top Of The Pops version 2022 mix)
6 John, I’m Only Dancing (alternative Trident Studios version)
7 I Can’t Explain (Trident Studios version)
3CD+blu-ray version offers a new stereo remix of Seasons End by Michael Hunter and the 2022 ‘Live in Leicester’ Sunday night concert from the Marillion Weekend, which included the album performed in it’s entirety. The blu-ray features a 5.1 mix of the album, B-sides and bonus tracks (including demos), a ‘Bootleg Mix’ of the 1990 concerts in Montreal, an 85-minute making-of-the-album documentary called Seasons Change, the full From Stoke Row To Ipanema documentary, the Rock Steady live performance and the promotional videos for ‘Hooks In You’, ‘Easter’, and ‘The Uninvited Guest’.
Contains newly remastered versions of ‘For the Roses’ (1972), ‘Court and Spark’ (1974), the double live album ‘Miles of Aisles’ (1974), and ‘The Hissing of Summer Lawns’ (1975). All four were remastered by Bernie Grundman.
Pet Shop Boys/Smash: The Singles 3CD+2xblu-ray3CD+2xblu-ray
Miles in France is the eighth instalment in the celebrated Miles Davis Bootleg Series and this edition focuses on the birth of the Second Great Quintet in 1963 and 1964. 6CD set.
Earlier this year Bryan Adams played a three-night residency at Royal Albert Hall. Each night he performed one of his hit albums in full: Reckless, 18 ‘Til I Die and So Happy It Hurts. 3CD+blu-ray and 4LP+blu-ray box sets offer all three nights with the blu-ray featuring all three concert films (directed by Dick Carruthers). Impressive, if you’re a fan.
Donna Summer / On The Radio: Greatest Hits Expanded
Donna Summer’s 16-track best of from 1979 is reissued and expanded to 40 tracks for this new 2CD release. This set features seven-inch versions and includes 30 UK chart hits, 18 of which reached the Top 20. A vinyl version offers 24 tracks across two vinyl records.
Ringo’s eighth studio album reissued as a vinyl picture disc. Released in 1981 it features the George Harrison-penned Wrack My Brain and contributions from Paul McCartney, Harry Nilsson, Ronnie Wood and Stephen Stills. The follow-up album, 1983’s Old Wave, get the same treatment.
Tina Arena’sDon’t Ask was released in 1994 and features the outstanding pop single ‘Chains’ and three other UK top 30 hits. It’s now reissued on translucent red vinyl.
Don’t Give Up – Peter Gabriel and Kate Bush also in with a chance
The 2025 Grammy nominations have just been announced and some classic artists have received recognition in various categories.
The Beatles get their first nomination in 28 years for the ‘Now and Then’ single. The song earned nods for Record Of The Year and Best Rock Performance, which brings their career nominations count to 25. Perhaps surprisingly, The Beatles have only ever won seven Grammys.
The Fab Four’s former rivals The Rolling Stones (they’ve only won three times) are nominated in the Best Rock Album category for their well received Hackney Diamonds andKate Bush receives her first Grammy nomination since her film The Line, The Cross & The Curve got the nod for Best Music Video, Longform in 1995. The Baskerville Edition of Hounds of Love is nominated in two categories, Best Recording Package and Best Boxed Or Special Limited Edition Package which seems to demonstrate that even the Grammy Academy aren’t sure of the difference between those categories and have decided to nominate it in both, just in case (this edition is neither limited nor a ‘boxed’ package). These are Kate’s fourth and fifth nominations; she’s never won.
Kate’s Baskerville Edition of Hounds of Love has been Grammy nominated
Peter Gabrielhas won, six times in fact (from 21 nominations) and i/o gets a well deserved two nominations: Best Engineered Album, Non-Classical and Best Immersive Audio Album (for the Dolby Atmos ‘In-Side Mix’. Roxy Music’sAvalon is also recognised in the Best Immersive Audio Album category for Bob Clearmountain’s Atmos Mix which was made available on streaming platforms earlier this year.
Perhaps unsurprisingly, John Lennon’sMind Games box is nominated in the Best Boxed Or Special Limited Edition Package, as is Nirvana‘sIn Utero 30th anniversary edition. Neither Nirvana nor Kate’s Baskerville HOL package were particularly well received by fans (expensive, over engineered etc.). That fact is clearly is irrelevant to the Grammy Academy.
Finally, the super deluxe edition of Prince’sDiamonds and Pearls is nominated in the Best Historical Album category, and award that goes to “compilation producers and mastering engineers”.
The gongs will be handed out on Sunday 2 February 2025. You can find a full list of nominees over at the Grammy website.
SDE is in the US to see Duran Duran and Tears For Fears! (If you haven’t read Day Two, head here)
Our two days in New York were sadly over and today was what touring musicians call ‘travel days’ when they are on tour. Part two of this trip was about to begin – and, in truth, the main reason for it – going to Las Vegas to see Tears For Fears play at the FontaineBleau resort hotel!
As noted previously, there was a lot of construction going on in and around JFK and because of this some uncertainty over how long it would take to get to the airport via a cab, never mind having to pay another $85! So I finally made an effort to establish how the ‘AirTrain’ worked to JFK and it was rather straightforward in the end.
We got the AirTrain back to JFK
It just involved getting an local F train from Manhattan to ‘Jamaica’ in Queens. But you do a last minute switcheroo to an E train at ‘Forest Hills / 71 Av’ and get off at the ‘Sutphin Blvd – Archer Av – JFK Airport’ stop (so good they named it three times) which is where the connection to the AirTrain is (so called because it’s an elevated train, like airport shuttle services). It takes about 20 mins to get to JFK on the AirTrain (and costs $8.50). Now I know how to do it, I won’t be getting a cab from JFK ever again!
It would be the New York Marathon on the Sunday, so as we exited our hotel. the street was full of runners, presumably getting some last training in before the race proper. We later discovered there was a Las Vegas marathon on Sunday as well!
Runners on the streets of NYC
The flight was of course an internal, domestic flight (via Delta), but we had the longest queues for security at JFK today on the whole trip. It was going to take five and a half hours to get there, since Vegas is well over 2,000 miles away from New York and there would be a three hour time difference, to boot.
It was cool seeing the Manhattan Skyline (great a-ha song) from the plane as we made our way up to the cruising altitude and the Delta aircraft was quite nice in the Comfort+ cabin. The main criticism with Delta was what you might loosely call the ‘food’. For a flight of that length, and especially in the equivalent of premium economy, I was expecting something semi-decent. But there was no hot food at all and nothing cold that was in any way healthy. For the whole trip, we were being offered just nibbles: ‘chips’ (crisps), corn crunch-type snacks, gummy bears (this is a flight full of adults). Sugary, or salty, crap, basically. Rookie error, I guess, since Anne looked around and saw many people had brought their own, more healthy, snacks (sandwiches, fruit etc.).
Vermillion Sands as we approach Las Vegas
To give them their due, the in-flight wi-fi was much cheaper than Virgin and, most importantly, actually worked, so I did a bit of work and later made use of the decent in-flight entertainment, rewatching Christopher Nolan’s Insomnia which I know very well, but it’s always a pleasure seeing Al Pacino and Robin Williams perform in that movie.
On our descent into Vegas we got great views of the Vermilion Sands (great Buggles song) of the Grand Canyon and then some of the strip.
I have been to Vegas once before, a long time ago (2000) and it’s a crazy city. The airport has fruit machines all over the place. We cabbed it to the Fontainebleau which I was pronouncing in French since that’s how it’s written, after all, but it seems most Americans call it ‘Fountain Blue’ and the cabbie gave me a slightly withering look, as if I was a schoolboy practising my French. It was a $29 flat fair from the airport which seemed okay, although we’d later discover that Uber is by far the cheapest way to get around Vegas. I later regretted not hiring a car, even though we were only going to be in town for two days, because we ended up spending a fortune on cabs.
It’s hard to convey the scale of the Fontainebleau hotel. It’s ridiculously big. It cost $3.7 billion to develop, is 67 stories high and has 3,644 rooms. There were two shiny, brand new Aston Martins parked in one of the foyer areas (and liberally dotted around the inside of the hotel). On day four, when we left, we ‘found’ another area of the hotel that had about 15 vintage Aston Martins on display. A whole car museum, effectively, we had not come across. The hotel features its own shopping mall, 26 (count ‘em) restaurants, a conference centre, multiple bars, pools, spas and ‘wellness’ centres and of course a near 4,000 capacity theatre [the “Bleaulive Theater”] where Tears For Fears were playing!
A couple of Aston Martins in the lobby of FontaineBleau (click image to enlarge)
This was the only day of the trip where I didn’t go record shopping. I tried. An early afternoon cab to Target near MGM Grand to try, yet again, to obtain the TFF exclusives, ended with a member of staff once again telling me they “don’t do music”, with a look that said “are you mad?” This was the equivalent of a Tesco local – a shrunk down Target that only had ‘essentials’ (we can argue about how essential the new TFF album is!).
The concierge had incorrectly assured me that it was the biggest Target in town, which turned out not to be true at all. We had a walk down the strip for a while and then headed back to the hotel for something to eat. In the ‘foodcourt’ area on level 2 we saw a Tears For Fears fan contingent and went and said hello to Kyrie and her friend (main image). Many of them were going to multiple shows but we were happy to wait until Saturday to see the band play.
A quick drink in the bar and then up for some well earned shut-eye. Our body clocks were taking a bit of a battering and there was more to come tomorrow, since the clocks go back an hour in Nevada! Our third time change in four days!
Region-free blu-ray audio • 51-tracks, in total • Greg Penny Dolby Atmos Mixes • Hi-Res Stereo • Quick pre-order
The next release in the ongoing SDE Surround Series of blu-ray audios is Elton John’sDiamonds: The Ultimate Greatest Hits Collection. This best-selling, career-spanning compilation was released back in 2017, to mark 50 years of Elton’s phenomenal songwriting partnership with Bernie Taupin.
Kicking off with ‘Your Song’, this definitive collection brings together all the landmark hits of one of the greatest songbooks of all time, including ‘Tiny Dancer’, ‘Rocket Man (I Think It’s Going To Be A Long, Long Time)’, ‘Crocodile Rock’, ‘Daniel’, ‘Candle In The Wind’, ‘Bennie And The Jets’, ‘Don’t Go Breaking My Heart’, ‘I’m Still Standing’, ‘Sacrifice’, ‘Can You Feel The Love Tonight’ and many more.
The Diamonds blu-ray contains 51 tracks in hi-res stereo (the same track listing as on the deluxe 3CD set) with 48 of those songs mixed inimmersive Dolby Atmos by Greg Penny.
Audio streams summary:
Dolby Atmos (48 tracks) 48 kHz / 24 bit
Hi-Res Stereo (51 tracks) 48 kHz / 24 bit
If you do not have an Atmos set-up just yet, the Dolby Atmos mixes will ‘fold down’ to 5.1 for the next best surround sound experience.
This Diamonds blu-ray audio is #31 in the exclusive SDE Surround Series and will be packaged similarly to previous editions, shipping with a free, collectible SDE Surround Series slipcase.
Do not miss out! This product is a limited edition and has a 10 day pre-order window, which closes on Saturday 16 November 2024. Availability cannot be guaranteed after that date. The blu-ray is available exclusively via the SDE shop. You can pre-order only via the SDE shop either by heading to the SDE shop website or by using the button below.
This Diamonds blu-ray audio is released on 3 January 2025 (was 27 December 2024) via UMR.
TECHNICAL NOTES: This blu-ray audio requires a blu-ray player. Decoding the Dolby Atmos mix requires a Dolby Atmos-certified soundbar or a Dolby Atmos-compatible AV Receiver/Amp. The Dolby Atmos mix will ‘fold down’ to 5.1 or stereo if a Dolby Atmos decoder is not detected. This product contains no video.
Tracklisting
DiamondsElton John/SDE-exclusive blu-ray audio
Diamonds : The Ultimate Greatest Hits Collection
Dolby Atmos and 48/24 hi-res stereo
Your Song
Tiny Dancer
Rocket Man (I Think It’s Going To Be A Long, Long Time)
Honky Cat
Crocodile Rock
Daniel
Saturday Night’s Alright (For Fighting)
Goodbye Yellow Brick Road
Candle In The Wind
Bennie And The Jets
The Bitch Is Back
Philadelphia Freedom
Island Girl
Someone Saved My Life Tonight
Don’t Go Breaking My Heart
Sorry Seems To Be The Hardest Word
Little Jeannie
Song For Guy
Blue Eyes
I’m Still Standing
I Guess That’s Why They Call It The Blues
Sad Songs (Say So Much)
Nikita
I Don’t Wanna Go On With You Like That
Sacrifice
Something About The Way You Look Tonight
I Want Love
Can You Feel The Love Tonight
Are You Ready For Love?
Electricity
Home Again
Looking Up
Circle Of Life
Skyline Pigeon
Lucy In The Sky With Diamonds
Pinball Wizard
Mama Can’t Buy You Love
Part-Time Love
Empty Garden (Hey Hey Johnny)
Kiss The Bride
The One
True Love [with Kiki Dee]
Believe
Live Like Horses [with Pavarotti]
Written In The Stars [with LeAnn Rimes]
This Train Don’t Stop There Anymore
Good Morning To The Night [Elton vs Pnau]
Step Into Christmas
Stereo Only
Don’t Let The Sun Go Down On Me [with George Michael]
That’s What Friends Are For [with Dionne Warwick, Stevie Wonder and Gladys Knight]
Watch as SDEtv unboxes the new Talking Heads: 77 super deluxe edition. This is released on 8 November 2024 and is available to order via the SDE shop using this link or the button below.
(Love Goes To) Building On Fire (Live at CBGB’s, New York, New York, 10/10/77) [Previously Unreleased]
Don’t Worry About the Government (Live at CBGB’s, New York, New York, 10/10/77) [Previously
Unreleased]
Take Me to the River (Live at CBGB’s, New York, New York, 10/10/77) [Previously Unreleased]
The Book I Read (Live at CBGB’s, New York, New York, 10/10/77) [Previously Unreleased]
New Feeling (Live at CBGB’s, New York, New York, 10/10/77) [Previously Unreleased]
A Clean Break (Live at CBGB’s, New York, New York, 10/10/77) [Previously Unreleased]
No Compassion (Live at CBGB’s, New York, New York, 10/10/77) [Previously Unreleased]
Thank You for Sending Me an Angel (Live at CBGB’s, New York, New York, 10/10/77) [Previously
Unreleased]
Who Is It? (Live at CBGB’s, New York, New York, 10/10/77) [Previously Unreleased]
Pulled Up (Live at CBGB’s, New York, New York, 10/10/77) [Previously Unreleased]
Uh-Oh Love Comes to Town (Live at CBGB’s, New York, New York, 10/10/77) [Previously Unreleased]
Psycho Killer (Live at CBGB’s, New York, New York, 10/10/77) [Previously Unreleased]
Stay Hungry (Live at CBGB’s, New York, New York, 10/10/77) [Previously Unreleased]
Blu-ray
Atmos Mix of Talking Heads: 77
5.1 Mix of Talking Heads: 77
Hi-Resolution Stereo of Talking Heads: 77
LP 1: Original Album (AAA cut from Master Tapes)
Uh-Oh, Love Comes to Town
New Feeling
Tentative Decisions
Happy Day
Who Is It?
No Compassion
The Book I Read
Don’t Worry About the Government
First Week/Last Week… Carefree
Psycho Killer
Pulled Up
LP 2: Outtakes/Alternates/Rarities
Sugar on My Tongue
I Want to Live
(Love Goes To) Building On Fire
I Wish You Wouldn’t Say That
Psycho Killer (Acoustic)
Uh-Oh Love Comes to Town (Alternate Pop Version)
New Feeling (Alternate Pop Version)
Pulled Up (Alternate Pop Version) [Previously Unreleased]
Day two in New York was the day! Duran Duran were playing their Halloween show in Madison Square Garden, because… you guessed it, was the 31 October! [read Day One here]
It was the last day in NYC, so lots to fit in and after a quick coffee-and-croissant combo at a nearby Pret A Manager, I was heading downtown for a 9.30am meeting a friend who works at Sony. I came armed with a few SDE blu-rays and he kindly gave me some vinyl including a few Sarah McLachlan albums (including a Barnes and Noble exclusive of Surfacing). I really like Sarah’s music, especially 1993’s Fumbling Towards Ecstasy, but she’s not really too well known in the UK. She’s actually just cancelled/postponed a 30th anniversary tour in celebration of that album, which is a shame. I also acquired the ruby vinyl 12-inch of George Michael’s ‘Careless Whisper’ – one of many formats that was put out for that song’s 40th anniversary (read Caroline Sullivan’s SDE piece on that song).
Anyway, after a good meeting, I was off to West 18th Street to Academy Records, with a plan to meet up with Anne (Mrs S) later. Of course, I forgot record shops the world over never start business particularly early and indeed, upon arrival I saw that it was a 12 noon opening time. With an hour to kill I found myself in the ‘Old Navy’ at the end of the street having a browse (we don’t have them in the UK).
Here’s a sidebar that I’m fascinated by. I live in London and without wanting to generalise too much, it’s my personal experience that people that work in shops or in service industries have a tendency to be a bit surly, and/or not be there when you need them (i.e. shops are understaffed) and can often exhibit a general ‘I’m-getting-paid-minimum-wage-so-why-do-I-need-to-make-the-effort’ kind of attitude. Whereas in America and certainly in New York, every shop worker, server in cafe or restaurant has been delightfully friendly and helpful – professional – in what appears to me to be in a very sincere way. They seem to actually want to help you, you are welcomed you when you walk into the shop. Nothing is too much trouble, there’s always loads of staff and they’re not standing around talking to each other and ignoring you (a classic UK trait). Maybe as a society the US just respects table servers, shop workers more. It’s a job to be proud of and not something you grudgingly have to do because you can’t get a job anywhere else. I noticed the same thing in the Airport at JFK. The staff are uniformed “officers” afforded authority and respect. Going through security at Gatwick it often just feels like a random assortment of temporary staff. I digress, but without wanting to state the obvious, people being nice to you all the time is just very pleasant. Thank you, NYC!
Outside Academy Records in Manhattan
Anyway, I went back to Academy and had a browse. It hasn’t really changed at all since the last SDE trip 9 years ago, which is not a bad thing, and it’s just great that the shop still exists, in midtown Manhattan. There wasn’t a whole lot I was interested in, unfortunately, but I picked up a couple of 12-inches (one of which was ‘Coming to America’ by The System). I did spot a copy of Wham!’sFantastic with the artist in the US form of ‘Wham! UK’. Half-tempted, but I didn’t bother. They had a Beatles in Mono 13CD box in the window for $200 which seems like a reasonable price (what a great box set).
After a Shake Shack at Madison Square Park, Anne and I starting walking down towards ‘the village’ to pop in and see John Pita at Record Runner. It was roasting in New York (not far off 80 degrees) and I was carting around some copies of the Duran DuranLiberty and ArcadiaSo Red The Rose SDE booklets that I wanted to give to John to sell (his shop specialises in Duran, amongst others) as well as a few Danse Macabre blu-rays. But I also had my laptop (in case of SDE emergencies!), plus a bag of clothes I bought from Old Navy and all the vinyl I’d been given earlier in the day! In short, I was starting to feel very weighed down and hot and bothered! You make a decision to “just walk it” and 20 sweaty blocks later, you’re asking “why didn’t we take the subway?”.
I almost bought this copy of Wham’s Fantastic
Anyway, I’d told John I’d pop in at some point during our two-day trip but hadn’t said exactly when. I think it was probably around 4.15pm when we arrived and I was slightly worried at first, because shutters were down, the door was locked and having lugged my ‘merch’ all the way down there, I was envisaging carting it back uptown to the hotel. But thankfully all was good and John was there. He was taking precautions because the Halloween Parade (great Lou Reed song) was only a few hours away. The shop is as good as ever and I recommend you check it out if you are in town. We chatted for a short while, discussing how great it is that Record Runner still endures but John was telling me that he has a new landlord, since someone has recently bought the building, and that’s of concern because of course rising rents is one of the reasons that so many record shops (such as Rebel Rebel and Bleecker Street Records) are no longer there and the character of Greenwich Village has been eroded. Worrying times. John gave me a T-shirt and we took a photo and bade farewell until next time.
Anne and I had a pre-Duran Duran drinks lined up with my old friend Ray at 6pm, close to MSG, so we needed to hotfoot it back to the hotel, dump all the bags, freshen up and get down there in the space of 90 minutes. I still hadn’t bought any vinyl from a Target store, which I was keen to do since they not only have Tears For Fears‘ Songs For A Nervous Planet on exclusive coloured vinyl (“watermelon cream” aka pink), but they also have the CD with the extra track called ‘Landlocked’ (which I still haven’t heard!). I also had a few ‘requests’ from friends in the UK for various exclusives (Target don’t ship to the UK). So probably ill-advisedly I nipped down to the shop at 42nd Street (Times Square was rammed and there were so many people dressed up for Halloween it was slightly surreal) to try and get some records. However, on arrival I was told “we don’t sell music”. What?! Ugh. What a waste of time.
Duran Duran Halloween show advertised outside Madison Square Garden
After that it was another ‘dash’ (impossible due to the volume of people on the street) back to the hotel and then off to Mustang Harry’s – a midtown sports bar and restaurant – a few blocks south of Madison Square Garden (MSG), to meet Ray.
Going to MSG afterwards, to see the show was amazing. Having such a big arena right in the centre of the city is not something I could imagine any government, local council or mayor choosing to do, these days, but it must be fantastic if you’re a resident of NYC. No trekking ‘out of town’ to see your favourite band.
This was the penultimate show in a mini seven-date tour of North America and Duran Duran were amazing. It has to be said, the bar is set quite high if you’ve travelled 3,500 miles but thankfully they really delivered! It was clear that they’d spent a lot of time on making this show special for Halloween and it wasn’t something thrown together quickly. There were three dancers who appeared on stage in various outfits for virtually every song, doing specially choreographed routines (a few fairly risque), there were giant gargoyle-type figures, wandering on stage and through the crowd, and of course the band themselves were all dressed up, initially as ‘ghost’ sailors (shades of Pirates of the Caribbean). Simon looked great at the start of the show, actually, echoing his look in early era Duran with stripey shirt, big black coat, white jeans and sailor’s hat.
Best of all was a long two-hour plus set that delivered at every quarter. They performed 14 out of the 16 tracks on the new Deluxe Edition of Danse Macabre (they even played ‘Spooky’, a box set bonus track sung by the female backing singers!) but still had enough time for classics such as ‘A View to a Kill’, ‘Hungry Like The Wolf’, ‘Planet Earth’, ‘Girls on Film’, ‘Rio’ and the like. In the past, I’ve complained about Duran insisting on keeping their cover of Grand Master Melle Mel’s ‘White Lines’ in the set, but I have to concede it went down amazingly well on Halloween, enhanced by superb stage design. Best of all, for this Arcadia fan, was a wonderful delivery of ‘Missing’ from So Red The Rose. Wow! They played it right after ‘Confession in the Afterlife’ from the Danse Macabre album, which sounds very Arcadia-like to these ears, so it was a brilliant sequence.
Duran Duran play Wild Boys at MSG (click image to enlarge)
It was strange not to hear ‘Save a Prayer’ or ‘Ordinary World’ at a Duran Duran show, but somehow it didn’t matter. It sounds silly, but being a Brit in New York watching Duran Duran play added an unexpected feeling of pride. They are a great British band, after all. The crowd were joyfully embracing every song (to be fair, there was a bit of popping-to-the-bar/’rest rooms’ for ‘Spooky’, a song virtually no one knew and Simon doesn’t even sing), but that aside, it was pure love in the room and scanning the crowd I could see every walk of life.
Special mention must go to Simon Le Bon who I regularly remind everyone is the beating heart of Duran Duran. He sung beautifully and dressed brilliantly as well. Yes, at one point he wore what looked like a chandelier on his head for quite a few songs, but it passed without comment; there was no hamming it up. It was arty, slightly weird, a visual spectacle and fun all at the same time. Just like Duran Duran, in fact.
Day 3 of SDE in the USA will be published tomorrow, as we head off to Las Vegas for Tears For Fears.
Simon, not satisfied with the house lights, brings his own…
Toyah’s last album for the Safari label is remastered and expanded by Cherry Red for this 2CD+DVD deluxe edition. The second disc features 20 previously unreleased tracks (including instrumentals) while the DVD offers a new interview and archive TV appearances. There’s a translucent red vinyl edition as well.
Aphrodite’s Child‘s 666 has been remastered and expanded for a 4CD+blu-ray set which includes the rare 1974 Greek LP version (which featured different mixes to the original LP release), and a blu-ray with Atmos and 5.1 ‘up mixes’ overseen by Vangelis. The blu-ray also features the bonus video content of a 28-minute episode of the French television show Discorama from June 1972 featuring Vangelis talking about the album (with English subtitles added).
I’m back in the USA for the first time since 2018 to see Duran Duran play Madison Square Garden and Tears For Fears play in Vegas!
As usual, with any trip to New York from the UK, it pays to get an early flight since the time difference gives you back most of the day if you get going promptly.
8.55 via Virgin Atlantic from Heathrow didn’t sound particularly early when I booked it, but of course by the time you’ve got there two hours before the flight and then built in travel time to Heathrow it is an early start – 5am to be precise! Ugh.
Heathrow was heaving, but thankfully everything was on schedule and we were on our way (Mrs Sinclair is accompanying me on this trip!). I always choose to fly Virgin for long haul to America. I did it way back in 1989 for my first trip to the USA and continue to do so today. They’re good. Decent selection of films and audio on the in-flight entertainment, including a some of classic albums, such as The Who’sWho’s Next (not in Dolby Atmos!) My only complaint – and this isn’t confined to Virgin – is why airlines still give you those crappy 1984-style Sony Walkman headphones to plug in, when most people are likely to have much better headphones or AirPods, or whatever, that could connect with bluetooth. Less wires, less hassle and better sound quality. I guess bluetooth might interfere with the plane’s electronic systems.
I say ‘only’ complaint. The onboard Wi-Fi, which I made the mistake of paying £20.99 for the whole flight was a total joke. For over 6 hours it offered the tantalising prospect of doing something as labour intensive as opening an email without actually delivering. Despite staff rebooting ’the system’ a few times it never improved. I understand that in flight wi-fi is, by its very nature, going to be a bit unreliable but they really do overpromise and underdeliver when it comes to getting online.
We landed at JFK around noon local time which was pleasingly well ahead of schedule and there were no queues for passport control (I’ve had some terrible waits there in the past). So far so good!
It’s always a bit of a trek from JFK to Manhattan via classic yellow New York taxi – plan for at least 45 mins – but the system is efficient and well staffed outside the airport, and they have a ‘flat fee’ fair system, so there is no stressing about being ripped off. It’s gone up a bit, mind! Last time I was here (2017, I think) It was around $50 but is now approximately $85. Despite sitting in many cabs from JFK to NYC over the years I can never make head nor tail of ‘the route’. It’s a spaghetti junction of interstates, intersections, bridges, tunnels. I noted loads of construction going on, especially in the early phase of the journey near Flushing Meadows (where the US Open Tennis tournament is held in September).
We’re staying right in the heart of the city, near Times Square, which is only because we’re only here for two days and it’s near everything. Hotel/area of choice for me is normally Washington Square Park Hotel in ‘the village’. Much more chilled out and bohemian and I like the rock ’n’ roll history! Maybe next time!
After checking into our hotel, it was time to go an do some exploring. It’s unseasonable hot in New York right now, which I wasn’t expecting for late October. In fact, for Halloween itself they are talking about 79 degrees, which is crazy. So much for lugging my heavy leather jacket with fur-lined collar across the Atlantic, that’s staying in the suitcase. It really is shorts and T-shirt weather!
After a half-hour decompress, went for a wander and came across the first record shop of the trip! I say record shop, it’s actually a place called Book Off which specialises in second hand games, manga books, DVDs and blu-rays but also happens to have quite an extensive CD section in the basement and a very good selection of Japanese vinyl (which are all $29, which I thought was a reasonable price). The CD section is massive but there’s not too much in the way of rarities, just loads of 80s and 90s CD albums. It’s takes some looking through and arguably they are a bit overpriced at $5-7 for a disc, but there is a discount CD section as well where you can find discs for $1.50 a pop. I spotted certain titles that I’d seen in the ‘main’ section also in the cheap section so it’s worth having a good look. There’s also a CD box set section which wasn’t bad and I immediately saw something that I knew I wanted. It was the US version of Elton John’sTo Be Continued box set from the early 1990s, which not only has a totally different design to the UK/European box but it’s large format too. The track listing is identical but it’s a really good box and looking at the discs, you could tell they’ve never been played. It had that ‘as new’ vibe, despite being over 30 years old. Best of all it was well priced, I thought, at $39. Bought!
Elton John’s To Be Continued 4CD set bought at Book Off
I also picked up the US CD single of Madonna’s ‘I’ll Remember’ ($9), which I’d actually never seen before. From memory I thought it had some remixes not on the UK equivalent, but I’ll have to check. Not everything was cheap; in the Depeche Mode section there was a few CD singles which looked like they’d be pulled from those box sets and they wanted $48 a pop. That’s well over the top.
So far as vinyl went, I saw the Japanese-only Duran Durancompilation Tiger! Tiger! (With OBI) which I don’t own, and it seemed an appropriate enough purchase, given that I’m going to see the band at Madison Square Garden tomorrow. I also couldn’t resist a Japanese pressing of my favourite ABBA album, The Visitors.
After further wandering we next came upon a Barnes and Noble, the mammoth US bookseller that is somehow still going (think Borders if you are in the UK). They do exclusive vinyl editions and so always worth popping in. They had a copy of Tears For Fears’ new album Songs For A Nervous Planet on exclusive blue vinyl, although only the one, so no extra copies for friends in the UK – sorry! They had a ton of ‘old’ exclusives, some looking a bit tatty and in a $10 sale, so you have to wonder, to a degree, how in demand these rarities are.
Duran Duran’s Tiger! Tiger! Japanese vinyl bought at Book Off
Retail giant Target was going to be the best bet for vinyl and CD exclusives and the plan was to make sure I get to one during our 48 hour stop in NY. I know they’ve definitely got exclusives of the new Tears For Fears.
We carried on walking up fifth avenue and came across Trump Tower, which was a reminder that it’s the US election in a couple of days. Network TV channels and the billboards in Times Square are full of campaigning ads. In fact, David Gilmour is playing Madison Square Garden on the day of the election and then again on the days after. That’s going to be a bit weird.
I’ve been an Android user for quite a few years phone-wise, having previously owned iPhones. My teenage daughter pointed out that it was “stupid” me being so plugged into the Apple eco system (with MacBook Pros, iMacs, Apple TV, Apple Music and being a Final Cut Pro user) and not having an iPhone. Point well made, so the end destination was Apple’s spectacular ‘glass box’ store at the top end of fifth avenue where I would go over the the dark side and get a new iPhone. Job done. Some NY retail therapy never hurt anyone.
The US CD single of Madonna’s ‘I’ll Remember’ picked up at Book Off
By now it was about 7pm local time, so 11pm or ‘bedtime’ in the UK. We’d been up for 18 hours. However it’s a rookie error to go to bed too early in New York on the day of arrival, however tired you may feel. You have to stay up and see out the day, to try and get your body clock settled.
After a day of snacking and airline food, it was nice to sit down to a proper meal (me: steak, Mrs S: salmon) and the balmy weather allowed us to have a late drink on a rooftop bar.
We are very pleased to be here and looking forward to the ‘main event’ tomorrow, since I’m a Madison Square Garden ‘virgin’ (how nice to have a big arena right in the centre of the city). However, there’s that Target to find and I’m planning to go to Academy Records on 18th street and pop by Record Runner in the village and say hello to proprietor John Pita. I’ve also got a catch up with a friend who works for Sony in NY first thing and we’re meeting another friend for pre-Duran Duran drinks. Day 2 of the USA trip is coming soon!!
Tori Amos will release a new live album, in December, called Diving Deep Live.
It was recorded during Tori’s 93-date Ocean to Ocean tour (SDE was at the Palladium in London) and as the title suggests, the idea is for this album to highlight deeper cuts, fan favourites etc. Despite that, the first single is the decidedly un-deep cut ‘Cornflake Girl’, which reached #4 in the UK.
The 2CD set offers 16 tracks compared to the 2LP’s 12
Diving Deep Live is available on 2LP vinyl and CD. Despite being over £25 cheaper than its vinyl counterpart, the 2CD set offers four extra songs. Scroll done for full tracklistings.
There’s a special ‘coke bottle’ clear vinyl edition available via D2C channels and an indie exclusive ‘bone’ coloured vinyl edition available via some retailers, including Rough Trade in the USA.
The album will be issued on 6 December 2024, via Decca.
This is one you really do not want to miss out on! The pre-order window for The WhoWho’s Next SDE-exclusive blu-ray is about to close.
#30 in the ongoing SDE Surround Series, this blu-ray audio features a Steven Wilson Dolby Atmos mix, a Steven Wilson dedicated 5.1 mix and Steven Wilson stereo mix of the classic 1971 album. This is in addition to the original mix in 96/24 hi-res stereo.
On top of that, you get 14 superb bonus tracks of the highest quality, including unedited versions of singles such as ‘The Seeker’, ‘Let’s See Action’ and ‘Join Together’. These bonus tracks are ALL in Atmos, 5.1 and new stereo (remixed again by Steven Wilson).
That equals the content of the blu-ray in the Who’s Next box set, but the SDE disc goes further by offering instrumental versions of all 23 tracks on the disc (except ‘Bargain’). So that’s FIVE audio streams of Who’s Next (Atmos, 5.1, new stereo, instrumental, original stereo) and FOUR audio streams of the 14 bonus tracks (Atmos, 5.1, new stereo, instrumental). It doesn’t get much better than this. Full tracklisting, below.
Do not miss out! The blu-ray audio will ship with a free and collectible SDE slipcase and the pre-order will close tomorrow, 1 November 2024. Availability cannot be guaranteed after that date. The blu-ray is available only via the SDE shop. You can pre-order from the SDE shop via this link or by using the buttons below.
Tracklisting
Who’s Next The Who /SDE-exclusive blu-ray audio
Who’s Next
Steven Wilson Atmos Mix (48/24)
Steven Wilson 5.1 Mix (96/24)
Steven Wilson Stereo Mix (96/24)
Steven Wilson Stereo Instrumentals (96/24)
Original 1971 Stereo Mix (96/24)
Baba O’Riley
Bargain*
Love Ain’t For Keeping
My Wife
The Song Is Over
Getting In Tune
Going Mobile
Behind Blue Eyes
Won’tGet Fooled Again
*Atmos & 5.1 are upmixes. Missing from instrumentals & replaced with original stereo on SW Stereo Mix
14 bonus tracks
Steven Wilson Atmos Mix (48kHz 24-bit)
Steven Wilson 5.1 Mix (96kHz 24-bit)
Steven Wilson Stereo Mix (96kHz 24-bit)
Steven Wilson Stereo Instrumentals (96kHz 24-bit)