Joy Division / Eternal (Live)

A new Joy Division box set, Eternal (Live), brings together 16 live performances across 14 CDs.

“Years in the making”, the audio in this set is sourced from audience recorded cassettes, soundboard tapes and broadcast recordings, all mastered at Abbey Road Studios. 

The content includes two previously unreleased shows Hope & Anchor and Acklam Hall and three previously unheard recordings, The Factory, Lyceum, Moonlight Club (2 April). It also features the band’s final live performance, at High Hall Birmingham in 1980, where they played Ceremony for the first and last time on stage. This was two weeks before Ian Curtis died.

The box also includes two DVDs giving fans 16 discs. They feature two hours and 30 mins of live shows including the previously unseen Plan K, Brussels concert and two concerts and soundcheck from the Apollo Theatre, Manchester that have only been partially released on VHS (in 1982) and a brand new edit of Joy Division – A Malcolm Whitehead Film.

Eternal (Live) comes as a 12-inch large format lift-off lid box set. There’s no luxury book mind you, just a “16-page booklet” with notes by Simon Armitage and photos by Anton Corbijn, Kevin Cummins and others.

It’s probably a case of buyer beware with this box set, since according to the label “audio quality across these sources varies widely. Most of the audience recordings sound exactly like what they are – recorded by a fan in the crowd – and multiple concerts have been widely bootlegged”. But they go on to say that they “have every confidence that Joy Division fans will revel in these official bootlegs, and be overjoyed by the higher quality recordings, especially with those that are previously unheard”.

Eternal (Live) will be released on 25 September 2026, via Warner Records.

Eternal (Live). Click image to enlarge.

Tracklisting

Eternal (live) Joy Division / 14CD + 2DVD box

    • CD1: Hope And Anchor, London **Previously unreleased**
      Recording date: 1st March, 1979
      Audio source: Mixing an audience recording by Jonathan Crabb, with a second audience recording (taper unknown). Both recordings previously unheard.
      1. One
      2. She’s Lost Control
      3. Shadowplay
      4. Leaders Of Men
      5. Insight
      6. The Only Mistake
      7. Disorder
      8. Glass
      9. Digital
      10. Warsaw
      11. Transmission
      12. I Remember Nothing
      13. Interzone
      14. Ice Age
    • CD 2: Bowdon Vale Youth Club, Altrincham
      1. Exercise One
      2. She’s Lost Control
      3. Shadowplay
      4. Leaders Of Men
      5. Insight
      6. Disorder
      7. Glass
      8. Digital
      9. Ice Age
      10. Warsaw
      11. Transmission
      12. I Remember Nothing
      13. No Love Lost
      Recording date: 14th March, 1979
      Audio source:”Exercise One” from a sound desk recording, the rest of the show is a matrix of the sound desk recording and an audience recording by Malcolm Whitehead.
      Acklam Hall, London **Previously unreleased**
      1. Disorder
      2. She’s Lost Control
      3. Shadowplay
      4. Wilderness
      5. Insight
      6. Candidate
      7. Digital
      Recording date: 17th May, 1979.
      Audio source: An audience recording by Jonathan Crabb
    • CD 3: The Factory, Manchester **Previously unheard recording**
      1. Dead Souls
      2. The Only Mistake
      3. Insight
      4. Candidate
      5. Wilderness
      6. She’s Lost Control
      7. Shadowplay
      8. Disorder
      9. Interzone
      10. Atrocity Exhibition
      11. Novelty
      12. Transmission
      Recording date: 13th July, 1979
      Audio source: A previously unheard sound desk recording.
    • CD 4: YMCA, London
      1. Dead Souls
      2. Disorder
      3. Wilderness
      4. Autosuggestion
      5. Transmission
      6. Day Of The Lords
      7. She’s Lost Control
      8. Shadowplay
      9. Atrocity Exhibition
      10. Insight
      Recording date: 2nd August, 1979
      Audio source: Sound desk recording.
    • CD 5: Futurama One Festival, Leeds
      1. I Remember Nothing
      2. Wilderness
      3. Transmission
      4. Colony
      5. Disorder
      6. Insight
      7. Shadowplay
      8. She’s Lost Control
      9. Atrocity Exhibition
      10. Dead Souls
      Recording date: 8th September, 1979
      Audio source: An audience recording by Duncan Haysom.
    • CD 6: Les Bains Douches, Paris
      1. Passover
      2. Wilderness
      3. Disorder
      4. Love Will Tear Us Apart
      5. Insight
      6. Shadowplay
      7. Transmission
      8. Day Of The Lords
      9. Twenty Four Hours
      10. Colony
      11. These Days
      12. A Means To An End
      13. She’s Lost Control
      14. Atrocity Exhibition
      15. Interzone
      16. Warsaw
      Recording date: 18th December, 1979
      Audio source: Radio broadcast recording, France Inter.
    • CD 7: Paradiso, Amsterdam
      1. Passover
      2. Wilderness
      3. Digital
      4. Day Of The Lords
      5. Insight
      6. New Dawn Fades
      7. Disorder
      8. Transmission
      9. Love Will Tear Us Apart
      10. These Days
      11. A Means To An End
      12. Twenty Four Hours
      13. Shadowplay
      14. She’s Lost Control
      15. Atrocity Exhibition
      16. Atmosphere
      17. Interzone
      Recording date: 11th January, 1980
      Audio source: Radio broadcast recording, VARA.
    • CD 8: Effenaar, Eindhoven
      1. Love Will Tear Us Apart
      2. Digital
      3. New Dawn Fades
      4. Colony
      5. These Days
      6. Ice Age
      7. Dead Souls
      8. Disorder
      9. Day Of The Lords
      10. Autosuggestion
      11. Shadowplay
      12. She’s Lost Control
      13. Transmission
      14. Interzone
      15. Atmosphere
      16. Warsaw
      Recording date: 18th January, 1980
      Audio source: An audience recording.
    • CD 9: The Warehouse, Preston
      1. Incubation
      2. Wilderness
      3. Twenty Four Hours
      4. The Eternal
      5. Heart And Soul
      6. Shadowplay
      7. Transmission
      8. Disorder
      9. Warsaw
      10. Colony
      11. Interzone
      12. She’s Lost Control
      Recording date: 28th February, 1980
      Audio source: Sound desk recording.
    • CD 10: The Lyceum, London
      1. Incubation*
      2. Wilderness*
      3. Twenty Four Hours*
      4. The Eternal*
      5. Heart And Soul*
      6. Love Will Tear Us Apart*
      7. Isolation*
      8. Komakino *
      9. She’s Lost Control*
      10. These Days
      11. Atrocity Exhibition
      12. Heart And Soul
      Soundcheck
      1. Incubation (Soundcheck)
      2. Komakino (Soundcheck
      3. Isolation (Instrumental (Soundcheck)
      4. Isolation (Soundcheck)
      *Previously unheard recording
      Recording date: 29th February, 1980
      Audio source: Sound desk recording (tracks 1-10), matrix sound desk / audience recording by Duncan Haysom (track 11), audience recording (tracks 12-16).
    • CD 11: The Moonlight Club, London
      2 April 1980
      1. Sound Of Music
      2. Wilderness*
      3. Colony*
      4. Love Will Tear Us Apart*
      5. A Means To An End*
      6. Transmission*
      7. Dead Souls*
      8. Sister Ray
      Recording date: 2nd April, 1980
      Audio source: Track 1 audience recording by Andy Hooper, tracks 2-8 (mostly) unheard desk recording (except Sister Ray, which was on Still).
      3rd April, 1980
      1. Love Will Tear Us Apart
      2. Glass
      3. Digital
      4. Heart And Soul
      5. Isolation
      6. Disorder
      7. Atrocity Exhibition
      8. Atmosphere
      Recording date: 3rd April, 1980
      Audio source: Audience recording by Andy Hooper.
    • CD 12: Winter Gardens, Malvern
      1. Disorder
      2. Wilderness
      3. Twenty Four Hours
      4. Heart And Soul
      5. Atmosphere
      6. Love Will Tear Us Apart
      7. Isolation
      8. Interzone
      9. She’s Lost Control
      10. Girls Don’t Count (with Section 25)
      Recording date: 5th April, 1980
      Audio source: An audience recording by Tim Bayes.
    • CD 13: Ajanta Theatre, Derby
      1. Dead Souls
      2. Wilderness
      3. Digital
      4. Insight
      5. Passover
      6. Heart And Soul
      7. Isolation
      8. These Days
      9. Transmission
      10. She’s Lost Control
      11. Colony
      12. Girls Don’t Count (with Section 25)
      Recording date: 19th April, 1980
      Audio source: An audience recording by Tim Bayes.
    • CD 14: High Hall, Birmingham
      1. Ceremony
      2. Shadowplay
      3. A Means To An End
      4. Passover
      5. New Dawn Fades
      6. Twenty Four Hours
      7. Transmission
      8. Disorder
      9. Isolation
      10. Decades
      11. Digital
      Recording date: 2nd May, 1980
      Audio source: Sound desk recording. Track 1, first minute taken from audience recording (recordist unknown).
    • DVD 1
      1. Joy Division – A Malcolm Whitehead Film (2026 edit)
      2. She’s Lost Control – Bowdon Vale Youth Club, Altrincham, Recording date: 14th March, 1979
      3. Shadowplay – Bowdon Vale Youth Club, Altrincham, Recording date: 14th March, 1979
      4. Leaders Of Men – Bowdon Vale Youth Club, Altrincham, Recording date: 14th March, 1979
      5. Transmission – Something Else, BBC TV, Recording date: 15th September, 1979
      6. She’s Lost Control – Something Else, BBC TV, Recording date: 15th September, 1979
      Plan K, Brussels
      Recording date: 16th October, 1979
      1. Love Will Tear Us Apart [Original 1979 Audio Version]
      2. Wilderness [Original 1979 Audio Version]
      3. Disorder [Original 1979 Audio Version]
      4. Colony [Original 1979 Audio Version]
      5. Insight [Original 1979 Audio Version]
      6. Twenty Four Hours [Original 1979 Audio Version]
      7. New Dawn Fades [Original 1979 Audio Version]
      8. Transmission [Original 1979 Audio Version]
      9. Shadowplay [Original 1979 Audio Version]
      10. She’s Lost Control [Original 1979 Audio Version]
      11. Atrocity Exhibition [Original 1979 Audio Version]
      12. Interzone [Original 1979 Audio Version]
      13. Wilderness [2026 Reconstructed Audio Version]
      14. Disorder [2026 Reconstructed Audio Version]
      15. Colony [2026 Reconstructed Audio Version]
      16. Insight [2026 Reconstructed Audio Version]
      17. Twenty Four Hours [2026 Reconstructed Audio Version]
      18. New Dawn Fades [2026 Reconstructed Audio Version]
      19. Transmission [2026 Reconstructed Audio Version]
      20. Shadowplay [2026 Reconstructed Audio Version]
      21. She’s Lost Control[2026 Reconstructed Audio Version]
      22. Atrocity Exhibition [2026 Reconstructed Audio Version]
      23. Interzone [2026 Reconstructed Audio Version]
    • DVD 2:
      Apollo Theatre, Manchester
      Recording date: 27th October, 1979
      1. Dead Souls
      2. Wilderness
      3. Colony
      4. Autosuggestion
      5. Love Will Tear Us Apart
      6. Shadowplay
      7. She’s Lost Control
      8. Transmission
      + Apollo Theatre, Manchester
      Recording date: 28th October, 1979
      1. Sound Of Music
      2. Shadowplay
      3. Colony
      4. Day Of The Lords
      5. Twenty Four Hours
      6. Disorder
      7. Walked In Line
      8. Remember Nothing
      9. Transmission

       

Ten Years After / Cricklewood Green reissue

Ten Years After’s fourth studio album, Cricklewood Green, will be reissued in August.

The 1970 album followed on the back of the blues-rock group’s performance at Woodstock and features their only UK hit single, ‘Love Like a Man’ (bizarrely the A-side played an edited version of the album cut at 45RPM and the B-side was a near eight minute live version which played at 33RPM).

The album has been newly mastered for the reissue and the 2CD edition includes a selection of rarities appended to CD 1 including a newly discovered ‘Cricklewood Jam’ instrumental demo. CD 2 includes a newly mixed version of the band’s second set at the Fillmore East on 27 February 1970, which includes an 11-minute version of ‘Going Home’.

The 2LP vinyl version doesn’t include the bonus tracks on the first disc of the 2CD set and omits Sweet Little Sixteen from the live set.

The reissue features newly written sleeve notes, band interviews and unseen photos. Cricklewood Green will be reissued on 28 August 2026, via Chrysalis.

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Ten Years After

cricklewood Greeen - 2CD deluxe

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Tracklisting

Cricklewood Green Ten Years After /

    • LP 1: Cricklewood Green (2026 Remaster)
      1. Sugar The Road
      2. Working On The Road
      3. 50,000 Miles Beneath My Brain
      4. Year 3,000 Blues
      5. Me And My Baby
      6. Love Like A Man
      7. Circles
      8. As The Sun Still Burns Away
    • LP 2: Fillmore East Friday 27 Feb 1970 ‘Set Two’ 2026 Mix
      1. Love Like A Man
      2. Good Morning Little Schoolgirl
      3. Working On The Road
      4. 50,000 Miles Beneath My Brain
      5. I Can’t Keep From Crying Sometimes
      6. I’m Going Home
      *Al tracks previously unreleased

Duran Duran announce ‘Free to Love’ remix album

Fans may have noticed that Duran Duran are putting a lot of energy into promoting their latest single, the non-album collaboration with Nile Rodgers, called ‘Free to Love’.

We’ve had the Top of the Pops pastiche promo video, appearances on UK TV’s The One Show and, in the USA, Jimmy Kimmel Live. Despite a mixed reaction from their fanbase (“dreadful”, “instantly forgettable” and “dull” were some of the less enthusiastic notices from SDE readers, although others called it “fun and frothy” and “highly enjoyable”) the band will be doing something they haven’t done in the UK since 2007 and that is releasing a single on CD.

Free To Love: Hot Star Remixes is a collection of eight remixes of this one song showcasing “an eclectic lineup of artists and producers from across the worlds of disco, house, club culture and electronic music”. It’s released digitally this Friday and will be issued on what we used to call a ‘maxi’ CD, vinyl and cassette “later this summer”. In fact, these three formats will offer two bonus remixes (in case eight isn’t enough) and there will also be a standalone seven-inch with an instrumental version on side B.

Nick Rhodes said: “Sometimes a song simply demands remixes and you have no choice but to obey – this was certainly the case with ‘Free To Love’. We wanted to collaborate with the best possible contemporary remixers, which is something we have not done for a very long time. It was a leap of faith, and we had absolutely no idea how the interpretations of our song might turn out, but we could not be more thrilled with the results“.

There is no new B-side to this single and some may be disappointed at the band not taking up the opportunity to include some songs on this remix single/album which aren’t ‘Free To Love’. The many remixes of ‘Evil Woman’ remain digital exclusives, the Erol Alkan reworkings of ‘Give It All Up’ and ‘All Of You’ were only issued on vinyl and last year’s ‘Shadows On Your Side’ re-recording hasn’t been issued on any physical product.

Free To Love: Hot Star Remixes will be available digitally on Friday and as noted above will be released on physical formats “later this summer”. Duran Duran play London’s BST Hyde Park on 5 July.What are your thoughts on the idea of this remix album? Leave a comment.

Tracklisting

Duran Duran / Free to Love remix album

Free To Love: Hot Star Remixes Duran Duran /

      1. Free To Love – Horse Meat Disco Remix
      2. Free To Love – Harrison Remix
      3. Free To Love – DJWS & THE DISCO_NECT Remix by DJ White Shadow
      4. Free To Love – ALISSIA Remix
      5. Free To Love – Biff Chitlins Agape Remix
      6. Free To Love – Inner Galactic Remix by BastienkHz
      7. Free To Love – Jersey Black Cat Remix by BastienkHz
      8. Free To Love – Trixie Mattel Remix

‘White Label’ auction offers fans exclusive signed test pressings

Rare vinyl test pressings will go under the hammer TOMORROW at The White Label Auction in aid of The BRIT Trust.

Last year’s event achieved a total hammer price of £44,200, including £8,800 for an original 1975 seven-inch test pressing of Queen’s ‘Bohemian Rhapsody’.

This year’s signed highlights include items from The Cure’s Robert Smith, Roxy Music, Erasure, Starsailor, and more. The Roxy Music item is a double-sided acetate of 1973 single ‘Do the Strand’ cut at IBC Studios in London’s Portland Place, donated by Phil Manzanera and signed by Phil, Bryan Ferry, and Andy Mackay.

But there’s plenty of other test pressings from artists such as De La Soul, Duran Duran, Freddie Mercury, Garbage, Lily Allen, Paul Weller, Pete Townshend, The Rolling Stones, Simple Minds, Tears For Fears, Thin Lizzy and more.

THE BRIT Trust supports hundreds of causes promoting education and wellbeing across the UK, including The BRIT School, Nordoff and Robbins, ELAM, Music Support, and Key4Life.

The auction will take place tomorrow, at 11am 23 June 2026 and is once again being hosted by music memorabilia and vinyl record specialists Omega Auctions. You can browse all the lots here.

Out This Week / on 26 June 2026

Tina Turner / Wildest Dreams 4CD+blu-ray super deluxe edition

Tina Turner / Wildest Dreams Box Set

The reissue of Tina Turner’s 1996 album, Wildest Dreams, is out this week, after a well-timed broadcast of the concert from 4CD+blu-ray super deluxe edition was broadcast on BBC TV this past weekend.


Sting / The Night Watch: Live at the Rijksmuseum

A surprisingly good concert, The Night Watch Live at the Rijksmuseum captures Sting in ‘intimate’ mode with guitarist Dominic Miller. You don’t need to know that he’s playing “a 17th-century guitar crafted for Louis XIV” to enjoy it (it’s probably better, that you don’t – apologies!).


Beth Orton / The Ground Above (new album)

Beth Orton releases her ninth studio album. The Ground Above follows 2022’s Weather Alive and like its predecessor, it’s self-produced.

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Beth Orton

The Ground Above - vinyl LP

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Beth Orton

The Ground Above - CD edition

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The Belle Stars / vinyl picture disc

Limited edition vinyl picture disc of The Belle Stars‘ 1983 album. This features the hits ‘Sign Of The Times’, ‘Iko Iko’, and ‘The Clapping Song’. This release includes two extra singles not featured on the original release. There’s also a 3CD box set available.

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The Belle Stars

The Belle Stars - 3CD box

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The Belle Stars

the belle stars - vinyl picture disc

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Queen II / Collector’s Edition, unboxed

Watch as SDEtv unboxes the recently released Queen II collector’s edition box set which features five CDs, two LPs a hardcover book and other content.

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Queen

Queen II - black vinyl LP

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Tracklisting

Queen II Queen / box set

    • CD 1: Queen II – 2026 Mix
      1. Procession
      2. Father To Son
      3. White Queen (As It Began)
      4. Some Day One Day
      5. The Loser In The End
      6. Ogre Battle
      7. The Fairy Feller’s Master-Stroke
      8. Nevermore
      9. The March Of The Black Queen
      10. Funny How Love Is
      11. Seven Seas Of Rhye
    • CD 2: Sessions
      1. Procession (Stage Intro Tape – April 1973)
      2. Father To Son – Takes 4&9 – With Guide Vocal
      3. As It Began – Brian’s Studio Demo – October 1969
      4. Some Day One Day – Take 1 – With Guide Vocals
      5. The Loser In The End – Roger’s First Demo
      6. The Loser In The End – Roger’s Second Demo
      7. Ogre Battle – Takes 2&6 – With Guide Vocal
      8. The Fairy Feller’s Master-Stroke – Takes 4&9
      9. Nevermore – Take 6
      10. The March Of The Black Queen – First Section Takes 3&5
      11. The March Of The Black Queen – Second Section Take 1
      12. Funny How Love Is – Take 4
      13. Seven Seas Of Rhye – Takes 4, 5 & 6
      14. I Do Like To Be Beside The Seaside – Take 4
      15. See What A Fool I’ve Been – B-Side Version 2026 Mix
      16. Not For Sale (Polar Bear)
    • CD 3: Queen II Backing Tracks
      1. Procession
      2. Father To Son
      3. White Queen (As It Began)
      4. Some Day One Day
      5. The Loser In The End
      6. Ogre Battle
      7. The Fairy Feller’s Master-Stroke
      8. Nevermore
      9. The March Of The Black Queen
      10. Funny How Love Is
      11. Seven Seas Of Rhye
    • CD 4: at the BBC
      1. See What A Fool I’ve Been (BBC Session 2 – July 1973 – 2011 Mix)
      2. Ogre Battle (BBC Session 3 – December 1973)
      3. Nevermore (BBC Session 4 – April 1974)
      4. White Queen (As It Began) (BBC Session 4 – April 1974)
      Live at Golders Green Hippodrome – 13 September 1973
      1. Procession – Intro Tape
      2. Father To Son
      3. Son And Daughter
      4. Guitar Solo
      5. Son And Daughter (Reprise)
      6. Ogre Battle
      7. Liar
      8. Jailhouse Rock
    • CD 5: Live
      Recorded at London Rainbow, March 1974, except where stated
      1. Procession (Intro Tape)
      2. Father To Son
      3. Ogre Battle
      4. White Queen (As It Began) (Recorded at Hammersmith Odeon, December 1973)
      5. The March Of The Black Queen (Recorded at London Rainbow, November 1974)
      6. The Fairy Feller’s Master-Stroke
      7. Seven Seas Of Rhye
      8. See What A Fool I’ve Been
    • LP 1: Queen II – 2026 Mix
      Side one (Side White)
      1. Procession
      2. Father To Son
      3. White Queen (Ast It Began)
      Side two (Side White)
      1. Some Day One Day
      2. The Loser In The End
    • LP 2: Queen II – 2026 Mix
      Side three (Side Black)
      1. Ogre Battle
      2. The Fairy-Feller’s Master Stroke
      3. Nevermore
      Side four (Side Black)
      1. The March Of The Black Queen
      2. Funny How Love Is
      3. Seven Seas Of Rhye

Keane / Under The Iron Sea reissue

Keane’s second album, Under The Iron Sea, is being reissued for its 20th anniversary.

The 2006 record reached No 1 on the UK charts and features the singles ‘Is It Any Wonder?’, ‘Crystal Ball’, ‘Nothing In My Way’ and ‘A Bad Dream’.

3CD digipak (click image to enlarge)

The album has been newly remastered and the reissue is available as a 3CD deluxe set with two discs of rarities, including B-sides, demos and a generous selection of live performances.

Curiously, there appears to be no standard vinyl version (there was a reissue in 2018), but a zoetrope picture disc version is being made available. Despite being a picture disc this is pressed at half-speed and uses the new remaster.

Under The Iron Sea will be released on 24 July 2026 via UMR.

Tracklisting

Keane / Under The Iron Sea 20th anniversary reissue

Under The Iron Sea Keane / 20th anniversary reissue

    • CD 1
      1. Atlantic (Remastered 2026)
      2. Is It Any Wonder? (Remastered 2026)
      3. Nothing In My Way (Remastered 2026)
      4. Leaving So Soon? (Remastered 2026)
      5. A Bad Dream (Remastered 2026)
      6. Hamburg Song (Remastered 2026)
      7. Put It Behind You (Remastered 2026)
      8. The Iron Sea (Remastered 2026)
      9. Crystal Ball (Remastered 2026)
      10. Try Again (Remastered 2026)
      11. Broken Toy (Remastered 2026)
      12. The Frog Prince (Remastered 2026)

       

    • CD 2: B-Sides, Demos & Rarities
      1. Let It Slide (B Side)
      2. Maybe I Can Change (B Side)
      3. Thin Air (B Side)
      4. Tyderian (B Side)
      5. He Used To Be A Lovely Boy (B Side)
      6. Is It Any Wonder? (Tim Demo March 2005)
      7. The Family Car (Tim Demo July 2005)
      8. Maybe I Can Change (Demo January 2005)
      9. Guitar Song Hamburg Sketch (Tim Demo August 2004)
      10. Thin Air (Demo October 2004)
      11. Let It Slide (Demo April 2005)
      12. The Iron Sea (Instrumental Demo, August 2005)
      13. She Sells Sanctuary (The Cult Cover)
      14. Under Pressure (Queen and David Bowie Cover)
      15. Enjoy The Silence (Depeche Mode Cover)
    • CD 3: Live
      1. Try Again with Rufus Wainwright(Wireless Festival 2005)
      2. Is It Any Wonder? (Acoustic 2006)
      3. Crystal Ball (Radio Session 2006)
      4. Atlantic (Astoria 2006)
      5. Put It Behind You (Astoria 2006)
      6. Nothing In My Way (Duisburg Germany 2006)
      7. The Frog Prince (Duisburg Germany 2006)
      8. Leaving So Soon? (ULU London 2006)
      9. Broken Toy (The O2 2007)
      10. An Irishman Foresees His Death with Neil Hannon(The O2 2007)
      11. A Bad Dream (The O2 2007)
      12. Hamburg Song (iTunes Festival 2010)
      13. Try Again (Duisburg Germany 2006)
      14. Crystal Ball (Duisburg Germany 2006)
      15. A Bad Dream (Duisburg Germany 2006)
      16. Is It Any Wonder? (ULU London 2006)
      17. Try Again (Largo LA 2009)
      18. Leaving So Soon? (Glasgow 2009)
      19. Nothing in My Way (iTunes Festival 2010)
      20. A Bad Dream (iTunes Festival 2010)

Fleetwood Mac / Greatest Hits deluxe

Warner’s 1988 Fleetwood Mac Greatest Hits compilation, which was released at the time to capitalise on the success of Tango in the Night, is being reissued as a deluxe edition, on CD and vinyl, next month.

Originally, this was a 13-track compilation on vinyl, but the CD format delivered 17 tracks in a slightly re-jigged running order.

This new ‘deluxe’ edition offers 23 tracks in total, although spreads these out across two discs. So CD 1 offers the original 13-track vinyl running order from 1988 and moves four tracks to CD 2 with six further bonus tracks. £21.99 seems optimistic for a 38-year-old compilation that offers only a handful of bonus tracks, especially when you can buy the 50-track Don’t Stop collection for significantly less.

Greatest Hits deluxe makes a bit more sense on vinyl, with the second LP offering 10 tracks not on the original vinyl edition. Yes, that means ‘Big Love’ wasn’t on the original vinyl version, which is remarkable.

Greatest Hits deluxe is released on 31 July 2026 via Rhino for US and Canada only. Rest of the World gets it on 28 August.

Tracklisting

Fleetwood Mac / Greatest Hits deluxe

Greatest Hits Fleetwood Mac / deluxe

    • CD 1
      1. Rhiannon
      2. Don’t Stop
      3. Go Your Own Way
      4. Hold Me
      5. Everywhere
      6. Gypsy
      7. As Long As You Follow
      8. Say You Love Me
      9. Dreams
      10. Little Lies
      11. Sara
      12. Tusk
      13. No Questions Asked
    • CD 2
      1. Landslide
      2. Big Love*
      3. Over My Head
      4. Oh Diane*
      5. You Make Loving Fun*
      6. The Chain
      7. Think About Me*
      8. Seven Wonders
      9. Never Going Back Again
      10. Silver Springs (Live)
      *On the original 1988 CD

Out This Week / on 19 June 2026

Haircut One Hundred / Boxing The Compass new album

Haircut One Hundred / Boxing The Compass CD, Vinyl

Haircut One Hundred’s new album, Boxing The Compass, is finally released this week.


Sheena Easton / The Singles 1980-1987 (CD box)

Massive 25CD singles box set covers Sheena Easton’s EMI period. Includes a 52-page booklet and 35 previously-unreleased bonus tracks.

Hue and Cry / Everybody super deluxe, unboxed

Watch, as SDEtv unboxes the super deluxe edition of Hue and Cry’s latest album, Everybody. The album was released on 29 May, via Blairhill Records.

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Hue and Cry

Everybody - CD edition

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Hue and Cry

Everybody - orange vinyl LP

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Tracklisting

Everybody Hue and Cry /

    • CD edition
      1. Stronger
      2. Everybody Deserves To Be Loved
      3. Make My Day
      4. And Then You Bloom
      5. Dissolve And Disappear
      6. I Remember
      7. In Our Ruins
      8. Kinda Blue, Kinda Love
      9. Force Majeure
      10. Broken Gods
    • Vinyl LP

      Side One

      1. Stronger
      2. Everybody Deserves To Be Loved
      3. Make My Day
      4. And Then You Bloom
      5. Dissolve And Disappear

      Side Two

      1. I Remember
      2. In Our Ruins
      3. Kinda Blue, Kinda Love
      4. Force Majeure
      5. Broken Gods

    • CD: Live at Kelvingrove (box set only)
      1. Looking For Linda
      2. Say Goodbye To Me
      3. I Refuse
      4. My Salt Heart
      5. Fireball
      6. Labour Of Love
      7. Mother Glasgow
      8. The Man With The Child In His Eyes
      9. Three Foot Blasts Of Fire
      10. Strength To Strength
      11. Just Say You Love Me
      12. Headin’ For A Fall
      13. Violently
      14. Ordinary Angel
      15. Stars Crash Down
    • Blu-ray (box set only)
      1. Stronger
      2. Everybody Deserves To Be Loved
      3. Make My Day
      4. And Then You Bloom
      5. Dissolve And Disappear
      6. I Remember
      7. In Our Ruins
      8. Kinda Blue, Kinda Love
      9. Force Majeure
      10. Broken Gods
    • 7″ single (box set only)

      1. Promised Land
      2. Give Me Strength My Love

Soft Cell / Danceteria

Soft Cell release their last album, Danceteria, in September.

Marc Almond describes the record as “a love letter to New York in the early 80s” which was where he and the late Dave Ball recorded their first three albums. It takes its name from the legendary Manhattan nightclub where the duo would hang out while during the making of their 1981 debut, Non-Stop Erotic Cabaret

Marc Almond: “New York was like nowhere else on earth. There were 24-hour nightclubs, music, art and underground theatre. It offered a cornucopia of energy and edge, and the lyrics on Danceteria reflect that time of my life” 

The album was co-produced and co-written by Ball before his untimely death last October and Almond acknowledges that there will be no more Soft Cell albums without his friend, the “brilliant musical genius”.

“There can be no more recordings of Soft Cell without Dave, it would not be possible”, Marc says. “The sad reality is that Dave Ball was half of Soft Cell, and live work aside, I can’t write Soft Cell songs without him.”

Ball heard the finished record before he died and Almond says, “he knew it was a great piece of work”. You can hear the title track, above.

The CD edition comes in book format and includes two extra tracks, while the 12-track vinyl version as well as having fewer songs than its vinyl counterpart, appears to include edited versions of some of the tracks (presumably to make it all fit).

Danceteria will be released on CD and vinyl on 25 September 2026 via Republic of Music.

Tracklisting

Soft Cell / Danceteria new album

Danceteria Soft Cell /

    • Side A
      1. Elusive
      2. Danceteria
      3. The Space Inside
      4. Times Square
      5. Two of a Kind
      6. The Rainbow Room
      7. In Heaven (When I Dance With You)
      Side B
      1. Decadence Is Hard Work
      2. Crackland*
      3. What Is Your Morality*
      4. Losing Yourself
      5. After Hours
      6. Wave to America
      7. Out Come the Freaks
      *Bonus tracks

Tina Turner / Private Dancer SDE blu-ray pre-order – ends today

Quick pre-order • Dolby Atmos • 5.1 • Stereo • Instrumentals • Bonus tracks • Videos

The pre-order window for the Tina Turner Private Dancer SDE exclusive blu-ray closes today. It’s No 67 in the ongoing SDE Surround Series.

Private Dancer was Tina’s fifth solo studio album but marked her triumphant comeback in the 1980s. It includes the hit singles ‘Let’s Stay Together’, ‘What’s Love Got to Do With It’, ‘Better Be Good To Me’, ‘Private Dancer’ and ‘Show Some Respect’ and peaked at No 2 in the UK Albums Chart and No 3 on the Billboard 200.

Legendary engineer and mixer Stephen W Tayler (responsible for the much acclaimed 5.1 mixes of Howard Jones’ first two albums) and has mixed Private Dancer in Dolby Atmos5.1 Surround and in Stereo for this new SDE blu-ray. Stephen was in the studio with Tina during the recording of this album back in 1984, working alongside Rupert Hine as engineer on two tracks: ‘I Might Have Been Queen’ and ‘Better Be Good To Me’ so he has an emotional connection to this album.

In addition to these mixes, Stephen W Tayler has delivered instrumental versions of the whole album in Atmos, 5.1 and stereo. These new 2026 mixes sit alongside a hi-res 96/24 stereo version of the 2015 remaster of the original 1984 mix.

The audio streams of Private Dancer on the SDE-exclusive blu-ray are as follows:

  • Private Dancer 2026 Dolby Atmos mix (48/24)
  • Private Dancer 2026 5.1 mix (96/24)
  • Private Dancer 2026 Stereo mix (96/24)
  • Private Dancer 2026 Instrumental Dolby Atmos mix (48/24)
  • Private Dancer 2026 Instrumental 5.1 mix (96/24)
  • Private Dancer 2026 Instrumental Stereo mix (96/24)
  • Private Dancer 1984 Stereo Mix (2015 Remaster) (96/24)

This blu-ray also includes 25 stereo-only bonus tracks including B-sides, 12-inch mixes, single edits, and non-album singles including three versions of ‘We Don’t Need Another Hero (Thunderdome)’ and the ‘lost’ track ‘Hot For You Baby’. See tracklisting below for the full list.

Additionally, this SDE exclusive blu-ray of Private Dancer features seven promo videos, including two (‘Let’s Stay Together’ and ‘Private Dancer’) restored from the original 35mm print.

The blu-ray and will be packaged similarly to previous editions (clear amaray case) and ships with a free, collectible SDE Surround Series slipcase.

Secure your copy of this SDE exclusive blu-ray of Tina Turner’s Private Dancer by using this SDE shop link or the button below.

This Private Dancer SDE exclusive blu-ray will be released on 25 September 2026 by SDE Records.

Tracklisting

Tina Turner / Private Dancer SDE exclusive blu-ray

Private Dancer Tina Turner / SDE exclusive blu-ray

    • Main album
      In the following audio streams: 2026 Atmos, 2026 5.1, 2026 Stereo, 2026 Instrumental Atmos, 2026 Instrumental 5.1, 2026 Instrumental Stereo, 1984 Stereo Mix (2015 Remaster)
      1. I Might Have Been Queen
      2. What’s Love Got To Do With It
      3. Show Some Respect
      4. I Can’t Stand The Rain
      5. Private Dancer
      6. Let’s Stay Together
      7. Better Be Good To Me
      8. Steel Claw
      9. Help
      10. 1984
    • Stereo only bonus tracks
      1. I Wrote A Letter
      2. Rock ‘n’ Roll Widow
      3. Don’t Rush the Good Things
      4. When I Was Young
      5. Keep Your Hands Off My Baby
      6. Let’s Stay Together (single edit)
      7. Help (single edit)
      8. Better Be Good To Me (single edit)
      9. Private Dancer (single edit)
      10. What’s Love Got to Do With It (extended version)
      11. Better Be Good To Me (extended version)
      12. I Can’t Stand the Rain (extended version)
      13. Show Some Respect (extended version)
      14. Hot For You Baby
      15. Let’s Stay Together (Alternative Radio Mix, 1983)
      16. Let’s Stay Together (TV Instrumental)
      17. What’s Love Got to Do With It (Dub Mix)
      18. Private Dancer (Sterling Version)
      19. Total Control
      20. We Don’t Need Another Hero (Thunderdome) (Single Edit)
      21. One of the Living (Single Remix)
      22. We Don’t Need Another Hero (Extended Mix)
      23. One of the Living (Special Club Mix)
      24. We Don’t Need Another Hero (Dub Version)
      25. One of the Living (Dub version)
    • Promo Videos
      1. Let’s Stay Together (Restored from original 16mm film)
      2. Help
      3. What’s Love Got to Do With It (Colour version)
      4. What’s Love Got to Do With It (B/W version)
      5. Better Be Good to Me
      6. Private Dancer (Full-length version) (Restored from original 35mm film)
      7. Private Dancer (Restored from original 35mm film)
      8. Show Some Respect

66 The Producers / Made in Basing Street

65 Thin Lizzy / Thin Lizzy

64 Bryan Ferry / Taxi

63 Bryan Ferry / Bête Noire

62 Roxy Music / Flesh + Blood

61 Tori Amos / In Times Of Dragons

60 Heaven 17 / The Luxury Gap

59 Heaven 17 / Penthouse and Pavement

58 Mark Knopfler and Emmylou Harris / All The Roadrunning

57 The Who / Quadrophenia

56 George Michael / Faith

55 Bryan Ferry / Boys and Girls

54 Thin Lizzy / Nightlife

53 Fine Young Cannibals (FYC) / The Raw & The Cooked

52 Tears For Fears / Songs From The Big Chair

51 Propaganda / A Secret Wish

50 Frankie Goes To Hollywood / Welcome to the Pleasuredome

49 Elton John / Captain Fantastic and the Brown Dirt Cowboy

48 The Who / Who Are You

47 The Human League / Dare

46 Split Enz / ENZyclopedia Volumes 1 & 2

45 Mark Knopfler / Sailing to Philadelphia 

44 Matt Deighton / Today Become Forever

43 De La Soul / 3 Feet High and Rising 

42 Steve Harley & Cockney Rebel / The Best Years of Our Lives

41 Mike Oldfield / Hergest Ridge

40 Claudi Brücken / Night Mirror

39 Elton & Brandi / Who Believes In Angels?

38 Dire Straits / Brothers in Arms

37 INXS / Listen Like Thieves

36 Roxy Music / Avalon

35 Envy of None / Stygian Waves

34 Bryan Ferry / Retrospective

33 Simple Minds / Sparkle in the Rain

32 Simple Minds / New Gold Dream

31 Elton John / Diamonds

30 The Who / Who’s Next

29 Thompson Twins / Into The Gap 

28 Tears For Fears / Songs For A Nervous Planet

27 Thin Lizzy / 1976

26 Bronski Beat / The Age of Consent

25 Tori Amos / Unrepentant Geraldines

24 Ultravox / Lament

23 Crowded House / Gravity Stairs

22 Luther Vandross / Never Too Much

21 Keane / Hopes and Fears

20 Wham! / Make It Big

19 Wham! / Fantastic

18 Mark Knopfler / One Deep River

17 Paul Young / No Parlez

16 Def Leppard / Diamond Star Halos

15 Soft Cell / Non-Stop Erotic Cabaret

14 Trevor Horn / Echoes – Ancient and Modern

13a Duran Duran / Danse Macabre De Luxe

13 Duran Duran / Danse Macabre

12 ABC / The Lexicon of Love

11 Suede / Suede

10 Mike Oldfield / Tubular Bells

9 Tears For Fears / The Hurting

8 Bob Dylan / Time Out Of Mind (2022 Remix)

7 Ten Years After / A Space in Time

6.5 Various Artists / Concert For George

6. Orbital / Optical Delusion

5 Brian Eno / ForeverAndEverNoMore

4 Shakespears Sister / Hormonally Yours

3 Gilbert O’Sullivan / Driven

2 xPropaganda / The Heart is Strange

1 Tears For Fears / The Tipping Point

NOW 12″80s: 1987 – Part One

NOW Music continue their 12″ 80s series with a new 4CD set of mixes from 1987.

The first disc kicks off with the extended mix of George Michael and Aretha Franklin’s transatlantic No 1 ‘I Knew You Were Waiting (For Me)’ and includes big hits from Duran Duran, a-ha, Eurythmics, Curiosity Killed The Cat, Swing Out Sister, Bryan Ferry, Sting and Paul McCartney (with the Extended Mix of ‘Once Upon A Long Ago’ making only its second appearance on CD). 

The second CD offers remixes of hits from Pet Shop Boys, New Order, Yello, Dead Or Alive, Rick Astley, Bananarama, Laura Branigan and more, while CD 3 delivers extended versions from M/A/R/R/S, Alexander O’Neal, Five Star, Level 42 and others.

The final disc in this set includes an extended version of The Cure’s ‘Why Can’t I Have You?’, Billy Idol’s‘Don’t Need A Gun’, Wax’s ‘Bridge to Your Heart’, Johnny Hates Jazz’ ‘Shattered Dreams’, Wet Wet Wet’s‘Wishing I Was Lucky’, Sananda Maitreya’s ‘If You Let Me Stay’ and Was (Not Was)’s ‘Walk The Dinosaur’. As ever, full tracklistings are below.

In addition to this 4CD set, NOW Music are also releasing a limited edition 5LP coloured vinyl box set: Now Presents…12” 80s: Volume Three: 1985-1986. This is pressed on red, yellow, blue, ‘hot pink’ and lime green vinyl.

NOW 12”80s: 1987 – Part One and the coloured vinyl box will be released on 17 July 2026.

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Various Artists

12-inch 80s 1987 part one - 4CD set

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Various Artists

Now Presents 12-inch 80s Vol 3 - 1985-1985 - 5LP vinyl box

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Tracklisting

Now Presents…12” 80s: Volume Three: 1985-1986 Various Artists / Strictly limited 5LP vinyl box

    • LP 1 – Red Vinyl
      Side A
      1. Queen – One Vision (Extended Version)
      2. Eurythmics, Annie Lennox, Dave Stewart – There Must Be An Angel (Playing With My Heart) (Special Dance Mix)
      3. Dead Or Alive – You Spin Me Round (Like A Record) (Performance Mix)
      4. Frankie Goes To Hollywood – Welcome To The Pleasuredome (An Alternative To Reality)
      Side B
      1. Tears For Fears – Shout (UK Version / Extended Version)
      2. Go West – We Close Our Eyes (The Total Overhang Mix)
      3. Simple Minds – Don’t You (Forget About Me) (12″ Version)
      4. Arcadia – Election Day (Consensus Mix)
    • LP 2 – Yellow vinyl
      Side A
      1. Paul Hardcastle – 19 (The Destruction Mix)
      2. Harold Faltermeyer – Axel F (Extended Version)
      3. Jan Hammer – Miami Vice Theme (Extended Version)
      4. Propaganda – Duel (Bitter-Sweet)
      Side B
      1. Mel & Kim – Showing Out (Get Fresh At The Weekend) (Extended Version)
      2. Gwen Guthrie – Ain’t Nothin’ Goin’ On But The Rent (12″ Club Mix)
      3. Aretha Franklin – Who’s Zoomin’ Who? (Dance Mix)
      4. Loose Ends – Hangin’ On A String (Extended Dance Mix)
    • LP 3 – Blue vinyl
      Side A
      1. Philip Bailey And Phil Collins – Easy Lover (Extended Dance Remix)
      2. Bonnie Tyler – Holding Out For A Hero (Club Mix)
      3. Pat Benatar – Love Is A Battlefield (Extended Version)
      4. Stephen Duffy – Kiss Me (Mixe Plural)
      5. The Human League – Human (Extended Version)
      Side B
      1. Duran Duran – Notorious (Extended Mix)
      2. Sly Fox – Let’s Go All The Way (Extended Version)
      3. Jellybean – Sidewalk Talk (Dance Mix)
      4. Maria Vidal – Body Rock (Dance Mix)
      5. Ashford & Simpson – Solid (Special Club Mix)
    • LP 4 – Hot Pink vinyl
      Side A
      1. Pet Shop Boys – West End Girls (Dance Mix)
      2. New Order – Bizarre Love Triangle (Extended Dance Mix)
      3. Red Box – For America (Bazooka Mix)
      4. Nick Kamen – Each Time You Break My Heart (Extended Version)
      Side B
      1. The Communards with Sarah Jane Morris – Don’t Leave Me This Way (12” Version)
      2. Bronski Beat – Hit That Perfect Beat (12” Version)
      3. Bananarama – Venus (Extended Version)
      4. Five Star – Can’t Wait Another Minute (M&M New York Remix)
    • LP 5 – Lime Green vinyl
      Side A
      1. Whitney Houston – How Will I Know (Dance Remix)
      2. Steve Winwood – Higher Love (Remix)
      3. Level 42 – Lessons In Love (Shep Pettibone Remix)
      4. Bryan Ferry – Slave To Love (12″ Remix)
      Side B
      1. Big Audio Dynamite – E=MC2 (12 Inch Remix)
      2. Furniture – Brilliant Mind (12″ Mix)
      3. Talk Talk – Life’s What You Make It (Extended Mix)
      4. Spandau Ballet – Through The Barricades (Extended Version)

Tracklisting

NOW 12"80s: 1987 - Part One

NOW 12″80s: 1987 – Part One Various Artists / 4CD set

    • CD 1
      1. George Michael & Aretha Franklin – I Knew You Were Waiting (For Me) (Extended Remix)
      2. Bill Medley and Jennifer Warnes – (I’ve Had) The Time of My Life (12″ Version)
      3. ABC – When Smokey Sings (The Miami Mix)
      4. Duran Duran – Skin Trade (Stretch Mix)
      5. Eurythmics, Annie Lennox, Dave Stewart – Beethoven (I Love To Listen To) (Dance Mix)
      6. a-ha – Manhattan Skyline (Extended Remix)
      7. Curiosity Killed The Cat – Down To Earth (Extended Version)
      8. Swing Out Sister – Surrender (Stuff Gun Mix)
      9. Bryan Ferry – The Right Stuff (12″ Dance Mix)
      10. Alison Moyet – Is This Love? (L.A. Mix)
      11. Sting – We’ll Be Together (Extended Mix)
      12. Paul McCartney – Once Upon A Long Ago (Extended Version)
    • CD 2
      1. Pet Shop Boys – It’s a Sin (Disco Mix)
      2. Dead Or Alive – Something In My House (Mortevicar Mix)
      3. Man 2 Man – Male Stripper (12 Inch Version)
      4. Mel & Kim – Respectable (Extended Mix)
      5. Sinitta – Toy Boy (The Extended Bicep Mix)
      6. Rick Astley – Never Gonna Give You Up (Cake Mix)
      7. Bananarama – I Heard A Rumour (Miami Remix)
      8. Laura Branigan – Shattered Glass (12” Vocal Mix)
      9. The Communards – You Are My World (’87 Single 12” Version)
      10. New Order – True Faith (Remix)
      11. Yello – The Rhythm Divine
    • CD 3
      1. M/A/R/R/S – Pump Up The Volume (UK 12” Remix)
      2. Alexander O’Neal – Criticize (Remix)
      3. Jody Watley – Looking For A New Love (Extended Club Mix)
      4. Whitney Houston – So Emotional (Extended Remix)
      5. Jellybean & Elisa Fiorillo – Who Found Who (Club Mix)
      6. Company B – Fascinated (Club Mix)
      7. Exposé – Point of No Return (Extended Mix)
      8. Pepsi & Shirlie – Heartache (Dot & Daisy’s Club Remix)
      9. Five Star – Stay Out of My Life (12″ Version)
      10. Level 42 – Running In The Family (Extended Version)
      11. The Blow Monkeys – It Doesn’t Have to Be This Way (Long Version)
    • CD 4
      1. The Cure – Why Can’t I Be You? (Extended Mix 1987)
      2. Iggy Pop – Real Wild Child (Wild One) (Extended Version)
      3. Billy Idol – Don’t Need A Gun (Meltdown Mix)
      4. Tina Turner – What You Get Is What You See (Extended Dance Mix)
      5. Chris Rea – Let’s Dance (Extended)
      6. Wax – Bridge To Your Heart (The Unabridged Version)
      7. Karel Fialka – Hey Matthew (Extended Remix)
      8. Johnny Hates Jazz – Shattered Dreams (12” Extended Mix)
      9. Wet Wet Wet – Wishing I Was Lucky (12″ Version)
      10. Sananda Maitreya – If You Let Me Stay (Extended Version)
      11. Living In A Box – Living In A Box (Dance Mix)
      12. Was (Not Was) – Walk The Dinosaur (The New York Dangerous Mix)

Bill Wyman’s Rhythm Kings / Ultimate Collection

Bill Wyman’s Rhythm Kings will release Ultimate Collection, a career-spanning 10CD set in October.  

After leaving The Rolling Stones in 1993, Wyman spent a couple of years away from music to focus on his Sticky Fingers restaurants while dabbling in photography and archeology. In 1995, he started jamming at home with blues guitarist Terry Taylor, eventually calling on old pals including Georgie Fame, Albert Lee, Peter Frampton, Andy Fairweather Low and Gary Brooker. Spontaneous recording sessions led to the first Rhythm Kings album, 1997’s Struttin’ Our Stuff, and over the next couple of decades the loose collective played over 200 shows and released six studio albums. Unsurprisingly, Wyman’s little black book came in handy over the years, with the bassist calling guest appearances from George Harrison, Eric Clapton, Mark Knopfler, Chris Rea and many more.

All of those albums – Struttin’ Our StuffAnyway The Wind BlowsGroovin’, the two-disc Double BillJust For A Thrill and outtakes set Studio Time are included on Ultimate Collection, along with a smattering of bonus tracks. Also included are two live performances (Live, recorded in Berlin in 2004, and Live Communication, a set from Dorking in 2008). The box also includes the single-disc Best Of The Bootleg Kings, a compilation of highlights from the band’s ‘bootleg series’ of live recordings. 

The 10 CDs are housed in deluxe seven-single-style packaging. It comes with a 24-page booklet, with a new interview with Bill and Beverley Skeete and a limited edition version adds an art print, signed by Bill Wyman.

Though Ultimate Collection will be a handy one-stop for anybody craving endless chummy blues sessions, those already have Edsel’s four-volume 2016-2017 series The Kings Of Rhythm series will already have this covered.   

Ultimate Collection will be released on 9 October 2026 via Esel.

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Tracklisting

Bill Wyman's Rhythm Kings / Ultimate Collection 10CD box

Ultimate Collection Billy Wyman’s Rhythm Kings / 10CD set

    • CD 1: Struttin’ Our Stuff
      1. Green River (3.15)
      2. Walking On My Own (3.14)
      3. Melody (4.53)
      4. Stuff (Can’t Get Enough) (3.44)
      5. Bad To Be Alone (3.21)
      6. I’m Mad (3.24)
      7. Down In The Bottom (2.57)
      8. Motorvatin’ Mama (3.36)
      9. Jitterbug Boogie (3.10)
      10. Going Crazy Overnight (3.53)
      11. Hole In My Soul (4.03)
      12. Tobacco Road (4.33)
    • CD 2: Anyway The Wind Blows
      1. Anyway The Wind Blows (3.27)
      2. Spooky (3.37)
      3. Walking One And Only (3.30)
      4. Mojo Boogie (3.39)
      5. Too Late (2.58)
      6. Every Sixty Seconds (3.08)
      7. Ring My Bell (2.54)
      8. Days Like This (2.52)
      9. He’s A Real Gone Guy (3.21)
      10. A True Romance (3.04)
      11. Gee Baby Ain’t I Good To You (4.04)
      12. When Hollywood Goes Black And Tan (3.09)
      13. Crazy He Calls Me (4.17)
      14. Struttin’ Our Stuff (4.34)
      Bonus Tracks
      1. Sugar Babe (4.06)
      2. Gonna Find Me A New Love (2.55)
    • CD 3: Groovin’
      1. Tell You A Secret (3.04)
      2. Groovin’ (3.31)
      3. Rough Cut Diamond (4.05)
      4. Mood Swing (4.09)
      5. Hole In The Wall (3.10)
      6. Can’t Get My Rest At Night (3.46)
      7. I Put A Spell On You (4.06)
      8. Tomorrow Night (5.00)
      9. I Want To Be Evil (2.32)
      10. Rhythm King (4.52)
      11. Daydream (4.10)
      12. Oh! Baby (3.56)
      13. Streamline Woman (2.53)
      14. Yesterdays (4.27)
      Bonus Track
      1. Gambler’s Lament (3.36)
    • CD 4: Double Bill (part 1)
      1. Long Walk To D.C. (4.05)
      2. Hot Foot Blues (5.16)
      3. Hit That Jive Jack (3.35)
      4. Love Letters (3.36)
      5. Love’s Down The Drain (5.23)
      6. I Can’t Dance (4.23)
      7. Medley: Snap You Fingers/What A Friend We Have In Jesus (3.15)
      8. Get In The Kitchen (2.22)
      9. Boogie Woogie All Night Long (3.49)
      10. Medley: Do You Or Don’t You/I Wanna Know (3.31)
      11. Trust In Me (4.12)
      12. Turn On Your Lovelight (4.43)
    • CD 5: Double Bill (part 2)
      1. Long Walk To D.C. (4.05)
      2. Hot Foot Blues (5.16)
      3. Hit That Jive Jack (3.35)
      4. Love Letters (3.36)
      5. Love’s Down The Drain (5.23)
      6. I Can’t Dance (4.23)
      7. Medley: Snap You Fingers/What A Friend We Have In Jesus (3.15)
      8. Get In The Kitchen (2.22)
      9. Boogie Woogie All Night Long (3.49)
      10. Medley: Do You Or Don’t You/I Wanna Know (3.31)
      11. Trust In Me (4.12)
      12. Turn On Your Lovelight (4.43)
    • CD 6: Just For A Thrill
      1. Disappearing Nightly (3.47)
      2. Roll ‘Em Pete (3.32)
      3. Down Home Girl (4.02)
      4. Mississippi Flyer (3.39)
      5. That’s How Heartaches Are Made (3.16)
      6. Booty Ooty (4.44)
      7. Cadillac Woman (3.30)
      8. Town Living (3.56)
      9. This Ain’t United Nations (5.02)
      10. Memphis Woman (3.20)
      11. Taxman (4.10)
      12. Just For A Thrill (3.16)
      13. Cry Baby (4.20)
      14. You Don’t Know What You Mean To Me (2.50)
      Bonus Tracks
      1. I Know (You Don’t Love Me No More) (4.36)
      2. Kiddio (Live in Salford 2004) (4.13)
      3. Down In The Bottom (Live in Salford, January 2004) (3.47)
      4. Comin’ Home Baby (Live in Salford, January 2004) (4.31)
      5. Lights Out (Live in Salford, January 2004) (2.27)
      6. Tear It Up (Live in Salford, January 2004) (4.38)
    • CD 7: Live
      1. I Got A Woman (Live in Berlin, June 2004) (4.50)
      2. Jump, Jive And Wall (Live in Berlin, June 2004) (4.17)
      3. Baby Workout (Live in Berlin, June 2004) (3.37)
      4. If I Can’t Have You (Live in Berlin, June 2004) (4.30)
      5. Jitterbug Boogie (Live in Berlin, June 2004) (3.48)
      6. Bright Lights, Big City (Live in Berlin, June 2004) (5.41)
      7. Muleskinner Blues (Live in Berlin, June 2004) (5.32)
      8. You Never Can Tell (Live in Berlin, June 2004) (4.23)
      9. Taxman (Live in Berlin, June 2004) (4.04)
      10. Race With The Devil (Live in Berlin, June 2004) (2.45)
      11. I Shall Not Be Moved (Live in Berlin, June 2004) (6.06)
      12. Disappearing Nightly (Live in Berlin, June 2004) (4.24)
      13. Flatfoot Sam (Live in Berlin, June 2004) (4.15)
      14. I Will Be Satisfied (Live in Berlin, June 2004) (3.26)
      15. Let’s Talk It Over (Live in Berlin, June 2004) (3.30)
      16. Wild One (Real Wild Child) (Live in Berlin, June 2004) (3.33)
      17. Roll ‘Em Pete (Live in Berlin, June 2004) (4.31)
    • CD 8: Live Communication
      1. She’s Looking Good (Live in Dorking, March 2008) (3.29)
      2. Unchain My Heart (Live in Dorking, March 2008) (3.58)
      3. All Night Long (Live in Dorking, March 2008) (4.36)
      4. Drown In My Own Tears (Live in Dorking, March 2008) (3.51)
      5. That’s Better For Me (Live in Dorking, March 2008) (4.18)
      6. Harlem Shuffle (Live in Dorking, March 2008) (3.41)
      7. Louisiana 1927 (Live in Dorking, March 2008) (4.35)
      8. Show Me (Live in Dorking, March 2008) (3.49)
      9. Too Late (Live in Dorking, March 2008) (4.23)
      10. I Don’t Need No Doctor (Live in Dorking, March 2008) (3.12)
      11. Johnny B Goode (Live in Dorking, March 2008) (7.05)
      12. That Is Rock & Roll (Live in Dorking,March 2008) (2.48)
      13. Crying In The Rain (Live in Dorking, March 2008) (3.47)
    • CD 9: Studio Time
      1. Beds Are Burning (4.23)
      2. Open The Door (3.20)
      3. You’re The One (3.01)
      4. Going Up The Country (3.08)
      5. Long Comma Viper (2.47)
      6. My Wife Can’t Cook (3.52)
      7. I’m Shorty (3.59)
      8. Got Love If You Want It (4.44)
      9. Shoes (3.52)
      10. Dr Watson Mr Holmes (3.08)
      11. These Kind of Blues (4.21)
      12. Blue Light Boogie (3.44)
      13. Skiing Blues (4.37)
      14. Santa Baby (2.53)
      15. Jazz Walk (4.40)
    • CD 10: Best of the Bootleg Kings
      1. Let The Good Times Roll (Live at The Vega Club, Copenhagen October 1998) (3.31)
      2. Mystery Train (Live at The Corn Exchange, Cambridge June 2000) (6.42)
      3. Melody (Live at The Stables, Milton Keynes June 2001) (4.46)
      4. Jitterbug Boogie (Live at The Mayflower, Southampton June 2001) (3.23)
      5. Drown In My Own Tears (Live) (4.30)
      6. This Little Girl’s Gone Rocking (Live at Colston Hall, Bristol July 2001) (3.40)
      7. Kiddio (Live at The Music Hall, Aberdeen July 2002) (4.07)
      8. Walking One and Only (Live at The Queen’s Theatre, Barnstaple June 2001) (3.29)
      9. Love Letters (Live at The Queen’s Theatre, Barnstaple June 2001) (3.52)
      10. Chantilly Lace (Live at The Bridgewater Hall, Manchester May 2002) (4.30)
      11. I Put A Spell On You (Live at Colston Hall, Bristol July 2001) (6.44)
      12. Tear It Up (Live at The Vega Club, Copenhagen October 1998) (4.58)

Donna Summer / The Casablanca Studio Albums

Donna Summer’s disco years will be celebrated with The Casablanca Studio Albums, a 7CD or 10 LP set comprising her albums released between 1975 and 1979.

Summer’s work for Neil Bogart’s Casablanca Records changed the course of pop music forever, with tracks such as ‘Love To Love You Baby’, ‘I Feel Love’ and ‘Bad Girls’ establishing Summer as the undisputed Queen of Disco and influencing acts such as David BowieBlondie and The Human League while pointing the way forward for dance genres such as house, techno and Italo. The set features Love To Love You Baby (1975), A Love Trilogy (1976) Four Seasons Of Love (1976), I Remember Yesterday (1977), Once Upon A Time… (1977), Live And More (1978), and Bad Girls (1979).

The Casablanca Albums is essentially a slimmed-down take on 2020’s Encore, which featured Summer’s 20 albums from 1974’s Lady Of The Night to her final album, 2008’s Crayons, plus four discs of 7” and 12” single versions, remixes and singles and extended mixes. It also follows hot on the heels of another Summer mega-box – last year’s 40CD Summer Time: The Singles Collection 1974-2010

The Casablanca Albums is available as either a 7CD or 10LP set, with the CD version coming in seven-inch packaging, with a 24-page booklet with a 3,500 word essay. The LP version is available either on black vinyl or as a limited-edition coloured LP set, with each album pressed on a different coloured vinyl. Both vinyl editions include the same 3,500 word essay on a 12-inch insert.

The Casablanca Studio Albums will be released on 2 October 2026 via Demon.

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Tracklisting

The Casablanca Studios Albums Donna Summer /

    • CD 1: Love To Love You Baby
      1. Love To Love You Baby
      2. Full Of Emptiness
      3. Need-A-Man Blues
      4. Whispering Waves
      5. Pandora’s Box
      6. Full Of Emptiness (Reprise)
    • CD 2: A Love Trilogy
      1. Try Me, I Know We Can Make It
      2. Prelude To Love
      3. Could It Be Magic
      4. Wasted
      5. Come With Me
    • CD 3: Four Seasons of Love
      1. Spring Affair
      2. Summer Fever
      3. Autumn Changes
      4. Winter Melody
      5. Spring Reprise
    • CD 4: I Remember Yesterday
      1. I Remember Yesterday
      2. Love’s Unkind
      3. Back In Love Again
      4. I Remember Yesterday (Reprise)
      5. Black Lady
      6. Take Me
      7. Can’t We Just Sit Down (And Talk It Over)
      8. I Feel Love
    • CD 5: Once Upon A Time…
      Act One
      1. Once Upon A Time
      2. Faster And Faster To Nowhere
      3. Fairy Tale High
      4. Say Something Nice
      Act Two
      1. Now I Need You
      2. Working The Midnight Shift
      3. Queen For A Day
      Act Three
      1. If You Got It Flaunt It
      2. A Man Like You
      3. Sweet Romance
      4. (Theme) Once Upon A Time
      5. Dance Into My Life
      Act Four
      1. Rumour Has It
      2. I Love You
      3. Happily Ever After
      4. (Theme) Once Upon A Time
    • CD 6Live And More (Live at the Universal Amphitheatre, Los Angeles, 1978)
      1. Once Upon A Time
      2. Fairy Tale High
      3. Faster And Faster To Nowhere
        Spring Affair
      4. Rumour Has It
      5. I Love You
      6. Only One Man
      7. I Remember Yesterday
      8. Love’s Unkind
      9. My Man Medley: The Man I Love/I Got It Bad And That Ain’t Good/Some Of These Days
      10. The Way We Were
      11. Mimi’s Song
      12. Try Me, I Know We Can Make It
      13. Love To Love You Baby
      14. I Feel Love
      15. Last Dance
      16. MacArthur Park Suite: MacArthur Park/One Of A Kind/Heaven Knows (with Brooklyn Dreams)/MacArthur Park (reprise)
    • CD 7: Bad Girls
      1. Hot Stuff
      2. Bad Girls
      3. Love Will Always Find You
      4. Walk Away
      5. Dim All The Lights
      6. Journey To The Centre Of Your Heart
      7. One Night In A Lifetime
      8. Can’t Get To Sleep At Night
      9. On My Honor
      10. There Will Always Be A You
      11. All Through The Night
      12. Baby Understands
      13. Our Love
      14. Lucky
      15. Sunset People

Suede / Antidepressants Expanded

Suede will next month issue an expanded edition of their 2025 album, Antidepressants.

This 3CD set features the album on CD 1 and five bonus tracks on CD 2. These comprise the new single ‘Emotionally Unavailable’, the original Japan-only bonus track ‘Medication’ and repetition of the three extra tracks that came with the original CD deluxe edition. A third disc features demos which were previously issued, on vinyl, for this year’s Record Store Day.

The packaging sounds decent: a hardcover slipcase houses the three discs and includes a 36-page booklet. 

Antidepressants Expanded will be released on 10 July 2026, via BMG.

Tracklisting

Suede / Antidepressants Expanded 3CD set

Antidepressants Suede / 3CD deluxe

    • CD 1
      1. Disintegrate
      2. Dancing With The Europeans
      3. Antidepressants
      4. Sweet Kid
      5. The Sound And The Summer
      6. Somewhere Between An Atom And A Star
      7. Broken Music For Broken People
      8. Criminal Ways
      9. Trance State
      10. June Rain
      11. Life Is Endless, Life Is A Moment
    • CD 2
      1. Emotionally Unavailable
      2. Overload
      3. Sharpening Knives
      4. Dirty Looks
      5. Medication
    • CD 3
      1. Disintegrate (Demo)
      2. Dancing With The Europeans (Demo)
      3. Antidepressants (Demo)
      4. Sweet Kid (Demo)
      5. The Sound And The Summer (Demo)
      6. Somewhere Between An Atom And A Star (Demo)
      7. Broken Music For Broken People (Demo)
      8. Criminal Ways (Demo)
      9. Trance State (Demo)
      10. June Rain (Demo)
      11. Life Is Endless, Life Is A Moment (Demo)

NOW Yearbook presents: 60s Vol 3: 1965-1966

NOW Music have announced a third volume of their 1960s compilation, released under the Yearbook banner.

Covering the middle years of 1965 and 1966, the 4CD editions features 85 tracks and comes in the usual hardcover book deluxe edition and card sleeve standard edition. 

We already know who’ll be missing, but artists include Dusty Springfield, The Righteous Brothers, The Beach Boys, The Byrds, The Mamas and the Papas, Sandie Shaw, The Troggs, Percy Sledge, The Four Tops, Stevie Wonder, James Brown, Elvis Presley, Cher, The Lovin’ Spoonful, The Seekers, Roy Orbison, Simon & Garfunkel, Bob Dylan, Tom Jones and many more. Full tracklistings below. 

As ever, there’s a 3LP coloured vinyl variant (blue vinyl this time) and this includes a cut-down selection of 54 tracks. 

NOW Yearbook presents The 60s Vol 3: 1965-1966 will be released on 10 July 2026.

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Tracklisting

Now That's What I Call Music' presents 60s: Vola 3 1965-66

NOW Yearbook presents: 60s Vol 3: 1965-1966 Various Artists /

    • CD 1
      1. Dusty Springfield – You Don’t Have To Say You Love Me
      2. The Righteous Brothers – You’ve Lost That Lovin’ Feelin’
      3. The Walker Brothers – The Sun Ain’t Gonna Shine Anymore
      4. The Beach Boys – God Only Knows
      5. The Byrds – Mr. Tambourine Man
      6. The Mamas & The Papas – California Dreamin’
      7. Sonny & Cher – I Got You Babe
      8. Sandie Shaw – Long Live Love
      9. Tom Jones – What’s New Pussycat?
      10. The Moody Blues – Go Now
      11. Manfred Mann – Pretty Flamingo
      12. Small Faces – All Or Nothing
      13. The Kinks – Tired of Waiting for You
      14. The Animals – We’ve Gotta Get out of This Place
      15. Dave Dee, Dozy, Beaky, Mick & Tich – Hold Tight!
      16. The Spencer Davis Group – Keep On Running
      17. The Troggs – With A Girl Like You
      18. The Mindbenders – A Groovy Kind Of Love
      19. Jimmy Ruffin – What Becomes Of The Brokenhearted
      20. The Temptations – My Girl
      21. Percy Sledge – When a Man Loves a Woman
    • CD 2
      1. Ike & Tina Turner – River Deep – Mountain High
      2. Four Tops – Reach Out I’ll Be There
      3. The Supremes – You Can’t Hurry Love
      4. Martha Reeves & The Vandellas – Nowhere To Run
      5. Smokey Robinson & The Miracles – Going To A Go-Go
      6. Stevie Wonder – Uptight (Everything’s Alright)
      7. Gloria Jones – Tainted Love
      8. Frank Wilson – Do I Love You (Indeed I Do)
      9. James Brown – Papa’s Got A Brand New Bag (Pt. 1)
      10. Wilson Pickett – In the Midnight Hour
      11. Fontella Bass – Rescue Me
      12. Bobby Hebb – Sunny
      13. Shirley Ellis – The Clapping Song (Clap Pat Clap Slap)
      14. Frankie Valli & The Four Seasons – Let’s Hang On
      15. The McCoys – Hang On Sloopy
      16. Elvis Presley – Love Letters
      17. Cher – All I Really Want To Do
      18. Marianne Faithfull – Come And Stay With Me
      19. The Lovin’ Spoonful – Daydream
      20. Donovan – Catch the Wind
      21. The Seekers – The Carnival Is Over
    • CD 3
      1. Tom Jones – It’s Not Unusual
      2. Georgie Fame & The Blue Flames – Yeh, Yeh
      3. Chris Montez – The More I See You
      4. Andy Williams – Almost There
      5. Frank Sinatra – Strangers In The Night
      6. Nina Simone – I Put A Spell On You
      7. Horst Jankowski – A Walk In The Black Forest
      8. Burt Bacharach – Trains And Boats And Planes
      9. Jackie Trent – Where Are You Now My Love
      10. Cilla Black – Alfie
      11. Ken Dodd – Tears
      12. Jim Reeves – Distant Drums
      13. The Sandpipers – Guantanamera
      14. Elvis Presley – Crying In The Chapel
      15. Peter And Gordon – True Love Ways
      16. The Everly Brothers – The Price of Love
      17. Wayne Fontana & The Mindbenders – The Game Of Love
      18. The Fortunes – You’ve Got Your Troubles
      19. The Overlanders – Michelle
      20. Roger Miller – King Of The Road
      21. Roy Orbison – Too Soon To Know
    • CD 4
      1. Simon & Garfunkel – Homeward Bound
      2. The Mamas & The Papas – Monday, Monday
      3. The Beach Boys – Sloop John B
      4. Sandie Shaw – Girl Don’t Come
      5. Petula Clark – I Couldn’t Live Without Your Love
      6. Four Tops – I Can’t Help Myself (Sugar Pie, Honey Bunch)
      7. The Supremes – Stop! In The Name Of Love
      8. The Toys – A Lover’s Concerto
      9. The Shangri-Las – Leader Of The Pack
      10. The Troggs – Wild Thing
      11. Cher – Bang Bang (My Baby Shot Me Down)
      12. Barry McGuire – Eve Of Destruction
      13. Bob Dylan – The Times They Are A-Changin’
      14. Small Faces – Sha La La La Lee
      15. The Spencer Davis Group – Gimme Some Lovin’
      16. Dave Dee, Dozy, Beaky, Mick & Tich – Bend It
      17. Chris Farlowe – Out of Time
      18. Tom Jones – Green Green Grass Of Home
      19. The Walker Brothers – Make It Easy On Yourself
      20. Dionne Warwick – Message to Michael (a.k.a. Message to Martha)
      21. Dusty Springfield – Goin’ Back
      22. The Righteous Brothers – Unchained Melody

Out This Week / on 12 June 2026

Cream / Wheels Of Fire CD, Box Set

Cream’s third album, 1968’s Wheels of Fire is reissued as a 5CD super deluxe edition.


Yes / Aurora (new studio album)

Yes return with their 24th studio album. There’s various physical products including a 2CD+blu-ray which features an Atmos Mix, and an even bigger set which adds 2LP vinyl created a five-disc super deluxe


Embrace / Avalanche (new album)

Embrace release their ninth studio album. The band have had the same line-up since 1996 which is impressive! Signed/coloured vinyl available from Amazon.

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Various Artists / Hit That Perfect Beat: The London Records Story (2CD set)

This 2CD companion to the recent podcast features select tracks from London Records’ archives including songs from Blancmange, Bronski Beat, Orbital, Goldie, Menswear, Gay Dad, All Saints, East 17, Fine Young Cannibals, Bananarama, Shakespeare Sister and more.

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The Clash / Should I Stay Or Should I Go

Sony issue The Clash’s 1982 single as a seven-inch pressed on yellow vinyl. No idea why!

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Toppermost of the Poppermost: Paul McCartney’s 24 Number One albums, explored

Paul McCartney’s new studio album, The Boys Of Dungeon Lane entered the UK chart at No 1 on Friday and as many commentators have pointed out, (and confirmed by the official charts company), it’s his 24th chart-topping album, in total in the UK, if you include all his various bands and his solo years.

But which albums made it to number one and why? SDE explores Macca’s chart-toppers over the years…


THE BEATLES

This one’s easy. All 11 of The Beatles official UK studio albums (Magical Mystery Tour was an EP in the UK, and Yellow Submarine doesn’t count either) reached the top of the UK charts. That’s quite some achievement. Has any other act – with a significant number of albums – ever done this?. 

Paul and Linda McCartney / Ram (1971)

You would have expected Paul’s first solo album McCartney to get to No 1 in the UK, especially since it was released before The Beatles’ Let It Be, but unfortunately for Paul, Simon & Garfunkel’s Bridge Over Troubled Water was a complete monster of a seller. It had already enjoyed 10 consecutive weeks at No 1 when McCartney was released so Paul may have been optimistic about his chances, but no, he could not outsell Simon & Garfunkel’s long-playing swansong and had to settle for No 2. These positions remained the same for three consecutive weeks until Paul got a revenge of sorts (although I’m not sure he cared) when The Beatles’ Let It Be finally dislodged Bridge Over Troubled Water from the top spot. But only to No 2, and McCartney also slipped down a place to No 3. The top three stayed the same for two further weeks until Simon and Garfunkel went back to the top again. At this point The Beatles were No 2 and The Who’s Live at Leeds had pushed McCartney down to No 4. McCartney was a massive seller, mind you, and stayed in the top 10 for a further 11 weeks, selling many more copies than some future Macca albums that did get to No 1!

As with McCartney, there was no single released (in the UK) ahead of Ram, Paul’s second post-Beatles album, and one that was credited to Paul and Linda McCartney. The album entered the UK charts at No 1 in early June 1971, replacing The Rolling Stones’ Sticky Fingers. Guess what was at No 3? Only Simon and Garfunkel’s Bridge Over Troubled WaterRam stayed at the top for 2 weeks and after that Bridge Over Troubled Water went back to the top for another five consecutive weeks! ‘The Back Seat Of My Car’ was eventually issued as a UK single in the middle of August but Ram was still in the top 10 at that point and it’s hard to say whether the single helped much, especially since it was a bit of a flop by McCartney standards, only peaking at No 39. But Ram sold strongly and didn’t drop out of the UK top 40 until late October.

Paul McCartney and Wings / Band on the Run (1973)

The first proper Wings album, Wild Life (1971) didn’t even get into the top 10 (peaked at No 11) while Red Rose Speedway (1973) did a little better, reaching No 5, thanks to the single top 10 single ‘My Love’. Band on the Run, which was released in late 1973, was a very slow burner, showing that at the time the general public were no longer buying Paul’s albums as a matter of course but wanted to perhaps ‘wait and see’ what was doing. Ram had gone straight into the UK charts at No 1 but less than 18 months later, Band on the Run entered at No 45! This was in early December 1973. The album eventually topped the charts in late July 1974, some 33 weeks later, when it enjoyed a seven-week stay at the top. It remained in the top 10 for most of the rest of the year and Paul was back to McCartney / Ram type success (even though those albums are never characterised a massive sellers).

Wings / Venus and Mars (1975)

After the massive success of Band on the Run, it would have been a shock if 1975’s Venus and Mars hadn’t got to No 1. Band on the Run was still in the top 30 when Venus and Mars entered the UK chart at No 3 in June 1975 and a week later it was No 1. It slipped down to No 2 for a few weeks (Carpenters’ Horizon went to No 1) but regained the top spot for another solitary week in mid-July.

Perhaps surprisingly, after all this success, that was it, as far as Wings’ studio albums topping the UK charts was concerned. Wings at the Speed of Sound (1976) peaked at No 2, kept off the top by the soundtrack to TV’s Rock Follies. In April 1978, the London Town album peaked at No 4 with Nat King Cole’s 20 Golden Greats, the soundtrack to Saturday Night Feverand Genesis’ …And Then There Were Three… above it. 1979’s Back to the Egg entered at a lowly No 27 in June 1979 and peaked the following week at No 6. (ELOABBA, James Last, Blondie and Dire Straits were the artists above Wings).

Even 1977’s best of, Wings Greatest, couldn’t make it to No 1 (it peaked at No 5) despite including what is still the best-selling non-charity single in the UK, ‘Mull of Kintyre’. Paul hasn’t had much luck with compilations over the years; none of them have topped the charts, with 1987’s All The Best coming the closest (peaking at No 2). 2001’s Wingspan got to No 5 and 2016’s Pure McCartney, No 3. 

Before we close the door on the 1970s there is one twist. EMI released The Beatles’ Live at the Hollywood Bowl in June 1977 and it spent a week at No 1, replacing ABBA’s Arrival

At this point Paul had enjoyed 10 chart-toppers in the 1960s (all The Beatles albums except Let It Be) and five in the 1970s (Let It BeRamBand on the RunVenus and Mars and Live at the Hollywood Bowl).

SOLO YEARS

Paul was about to enjoy a mini renaissance in the early 80s. In fact, he would have more number ones as a solo artist in the UK in the 1980s than he enjoyed with Wings in the 1970s. 

Paul McCartney / McCartney II (1980)

The massive success of ‘Coming Up’ (No 2 in the UK) and sheer joy of McCartney II’s lead single (not to mention the brilliant video) helped propel the album straight to No 1 in late May 1980, displacing The Magic of Boney M (oh yes). Paul’s experimental solo album stayed at the top for one more week before Peter Gabriel 3 replaced it. 

Paul McCartney / Tug Of War / 30th Anniversary Edition

Paul McCartney / Tug of War (1982)

Another smash single, this time transatlantic No 1 ‘Ebony and Ivory’ ensured that the George Martin-produced Tug of War entered the UK charts at the top in May 1982 (sending Barry Manilow’s Barry Live in Britain to No 2). It only stayed at the top for another week, but it hung around for a while as Paul mixed with the likes of Duran Duran (Rio), Roxy Music (Avalon) and ABC (The Lexicon of Love).

Paul McCartney / Give My Regards to Broad Street (1984)

1983’s Pipes of Peace had not topped the UK chart, which was a shock. I say this because it contained the title track, which was a No 1 single in Britain as well as ‘Say Say Say’ the massively successful duet with Michael Jackson that peaked at No 2 (as with ‘Coming Up’ it went one better in the USA). Pipes peaked at its first appearance in the chart when it entered at No 4. At this point Lionel Richie was No 1 with Can’t Slow DownCulture Club’s Colour By Numbers was No 2. and a K-Tel compilation called ‘Just The Two Of Us’ was No 3.

However, McCartney’s soundtrack to his ill-fated film Give My Regards To Broad Street saw him return to the top of the UK charts, albeit for one week in early November 1984. The soundtrack, which contained re-recorded Beatles and Wings hits, along with a trio of new songs, benefitted from all the publicity the film received which included a South Bank Show TV special. The movie was certainly not well received, but ‘all publicity is good publicity’, as the saying goes. A big factor was also a good old-fashioned hit single, in ‘No More Lonely Nights’, which peaked at No 2 in the UK singles chart prior to the album release. Arguably, the last ‘classic’ Paul McCartney single and his fifth single in the UK to reach No 1 or No 2 in the previous five years. 

Paul McCartney / Flowers in the Dirt (1989)

A BBC TV special didn’t help 1986’s Press to Play which received mixed reviews and was hampered by a lack of hits (lead single ‘Press’ was the best effort, and it stalled at No 25). The album entered at No 8 in mid-September but had dropped to No 20 a week later. Four weeks after that it had dropped out of the top 75 completely. 1988’s CHOBA B CCCP was never designed to challenge the top of the charts (it peaked at 63) but 1989’s Flowers in the Dirt was another proper effort helped considerably by the fanfare around a Paul McCartney World Tour that would see Macca embracing his Beatles back catalogue. Paul was no longer troubling the sharp end of the charts with his singles (the first two 45s – ‘My Brave Face’ and ‘This One’ – did the best, both peaking at a modest No 18) but the album itself reached No 1 in June 1989 a week after debuting at No 3. Jason Donovan’s Ten Good Reasons was the album displaced. 

Paul needed to enjoy his 1989 solo chart-topper because he wouldn’t have another one for over 20 years. His three ‘90s albums – Off The Ground (1993), Flaming Pie (1997) and Run Devil Run – peaked at 5, 2 and 12 respectively, but it was his work with The Beatles that gave Paul three more number ones in his decade, with Live at the BBCAnthology 2 and in 2000 the ‘1’ compilation all topping the chart. 

After Driving Rain (2001) and Chaos and Creation in the Backyard (2005) reached 46 and 10 respectively, Paul publicly blamed EMI and moved to Hear Music to release 2007’s Memory Amost Full. This worked to a degree and the album reached No 5 in the UK with 2012’s Kisses on the Bottom and 2013’s New both peaking at No 3.

For 2018’s Egypt Station Paul moved to Capitol Records and another album reached No 3. What could Paul do to get back to the top?

Paul McCartney announces new solo album McCartney III

Paul McCartney / McCartney III (2020)

The answer was to embrace modern marketing techniques, producing multiple coloured vinyl variants (and CDs with different bonus tracks) for different retail channels and hope that collectors would pick up more than one copy of the album. This worked a treat for McCartney III (recorded in ‘Rockdown’) and Paul was back at number one with one of his solo albums for the first time since Flowers in the Dirt.

The Boys of Dungeon Lane (2026)

Less than six months later the remix album McCartney III Imagined peaked at No 13 using the same methods and on Friday 5 June 2026 The Boys of Dungeon Lane repeated the achievement of McCartney III and Paul was back at the top of the UK charts once more. At 83, he’s the oldest person to get to No 1 on the pop charts with an album of new material, 63 years after The Beatles topped the Charts with their debut album Please Please Me

Martyn Ware on Tina Turner’s Private Dancer

SDE Exclusive blu-ray quick pre-order

Back in 2014, around the time of the 30th anniversary of Tina Turner’s Private Dancer, SDE spoke to Heaven 17’s Martyn Ware about his involvement with the album.

With the newly announced SDE exclusive blu-ray of the album announced just last week, I thought it would be a good time to revisit this conversation with Martyn, which you can read below (please remember that Martyn was speaking at a time when Tina was still with us, so he talks about her in the present tense).

SDE: You worked with Tina on the ‘Ball of Confusion’ single for BEF [British Electric Foundation], was that the first time you worked together?

Martyn Ware: Let me think about this… yes, it was, yes.

How did that collaboration come about?

Well it’s quite interesting really. I was doing the BEF album and I only had one track left and I had got one backing track left. I had lined up James Brown to do ‘Ball of Confusion’ and we had got it all booked and he had agreed to do it, the terms were all agreed, I was going to fly out to Atlanta to his studio – which is pretty freaky – to record in his studio and all that and meet him. The day before I was due to fly out, Virgin got a call from his lawyer saying that he wanted all the royalties on the entire album, not just his track.  Not all royalties, I mean the share we were offering but on the entire album or he wouldn’t do it.  And we said ‘no, this is insane, it’s not going to happen’.  So I was gutted, of course.

At that point in time I was living quite close to Virgin Records on Portobello Road and went down there. We were all friends, and I was just hanging out there and feeling quite sorry for myself and trying to think, ‘oh my God, I just need to do this one track just to finish it and who can we get to sing it?’ As it turned out Ken Berry, who was the financial controller of Virgin Records at the time, happened to walk past and he said, ‘I’m going out to LA on Sunday, what do you think about Tina Turner, she’s a mate of mine’.  I went, ‘yeah’.  Because I had just been to see her at The Venue – do you remember that place in Victoria? –  and I thought she was fantastic, and I thought a chance to work with a group like that is almost unmissable. And that’s how it happened.

Did she fly over to London to record that?

Yeah. Me and Glenn actually, were in LA doing some promo for Heaven 17, to do with Penthouse and Pavement, and our manager was based in LA at the time, and so by coincidence we said [to Tina], “well should we just pop round and see you?”  You’ve got to bear in mind we’d never had any dealings with LA reality before, it’s a bit of a freak-out.  Literally her house was, like, ranch-style – it was like what Roxy Music were talking about, you know, ‘In Every Dream Home A Heartache’ – it was four level ranch-style beautiful house in the Hollywood Hills. It was completely outside our sphere of experience.

Anyway, we got on well and she came over and we recorded it in… I believe it was in the EMI studios. Yeah. And the classic story is – which I have told many times – is her and Roger Davies [Turner’s manager] turned up to the studio and said, ‘where’s the band?’ because she is used to recording with band, and we pointed at the Fairlight and said, “well here it is”.  And they just stood with their mouths open, you know, it was incredible. Anyway, she gave a fantastic performance on that and consequently they approached me when they were making the Private Dancer album and said “would you write a song for Tina?” We were probably lacking in confidence a little bit and we didn’t really write for anyone else. We weren’t songwriters in that sense of the word, everything we did was for us.

But what was the sequence of events because when you did the ‘Ball of Confusion’ single, at that time wasn’t she basically an unsigned artist or had Capitol already had their plans for her at that point?

I really don’t know about that. Obviously, Roger Davies was involved with her so there were plans brewing. But as far as I know I don’t think she was signed. And she hadn’t really got any link with contemporary music. They call it a the ‘chicken in a basket’ circuit – I think it’s a bit derogatory – but she was making a good living and doing what a lot of solo artists had to do, but at a reasonably high level. She was doing Las Vegas and all that stuff, but the credibility in terms of her being a recording artist was lacking at that point and so she didn’t have a record deal.  But talent will always rise to the top as far as I’m concerned – she’s an amazing artist.

When you worked with her the second time, with what turned out to be ‘Let’s Stay Together’, was there this feeling of ‘we have to try and create a hit’ and ‘this is going to be a big deal’.

Not really. As I said, they said to us would you write a song for her and to be honest we were a bit confused as to… I mean we’re not really soul writers. Whereas we love soul music and we grew up with it, so I turned around to them and said ‘no, but I would really like to do as we did with ‘Ball of Confusion’. I thought it was very successful [so I said] “I would really like to do a cover version for that album”. They said, “can you come up with a shortlist of potential songs” which I wish I still had actually because there’s some really good songs on it, but the one that I really wanted to do anyway was ‘Let’s Stay Together’.

The way I explained it to her was that she needed to embed herself into the public perception as being one of the great soul singers of all time. She kind of turned her back on it quite a lot because she wanted to be a rock singer, essentially. She didn’t make any bones about it. You can’t alter the fact that you are born with this God-given talent.  I said, “I think it’s a good idea to do a reinterpretation of a soul record in a new way”.  I asked what her influences were when she was coming into the business and she was saying Sam Cooke, basically and Otis Redding and some gospel as well. I had always loved ‘Let’s Stay Together’ as a song, and I thought we could really make this work. She immediately latched onto it and said, “I love this song”.

The other thing is, that in my career, since the start of The Human League, I had always insisted on non-interference in the creative process and actually that suited her because she doesn’t write songs, she just comes and performs them, and in a strange sort of way, it was a bit like the creative relationship with Ike, where Ike would do all the music and recording and what have you, and then bring her in at the last minute to record.  So, it kind of fitted well from that perspective.

Did it all come together straight away in a session or were there a few attempts to do the track?  How did that work out?

It was myself and Greg Walsh; we were co-producers on this. Greg was helping us do the The Luxury Gap. He was a highly experienced arranger/producer who worked with Rod Temperton and Heatwave and various other Brit soul luminaries, and in fact with Heaven 17 we learnt, shall we say, the more dark arts of vocal arrangement, how to influence people using stacked vocals and all that crap that we use and with Heaven 17, that became part of our sound.

So, it seemed obvious to us to try and create a kind of hybrid – we wanted to use the programmed drums because we that was the way we worked at the time. We also wanted to use some new techniques, sound scaping techniques, like the famous intro to the song, that strained sort of chord at the start, which sets the scene. It is actually a piece of equipment called a Quantec Room Simulator which has a thing called a freeze function on it, which of course is quite well known now, but in those days it was the first machine that could do it. So, you would take a reverb of a complex chord, for instance, press freeze and it would keep all that in its memory, so you play things into it and it would just create this kind of cloud of sound, which is the opening and I think sets the scene.  I just think her vocal performance on that track is one of the greatest ever frankly.

My understanding is that track was done well in advance of everything else and it became a big hit and then Capitol panicked a little bit and then had to get the album together. Was that about right?

I wasn’t really privy to those discussions, because I wasn’t involved in the design of the album, I just did my bit.

But did you know that ‘Let’s Stay Together’ was likely to be a single or was this just a case of do a track with Tina and it will go on the album?

Obviously, if they didn’t like it, it wouldn’t have been a single.  But when they brought it out it was a surprise hit. It was the biggest selling twelve-inch single in American history when it came out.

Did it surprise you that it was a big hit or did you have a great feeling about?

Oh yeah, I thought it was a monster but I had no idea whether it would sell in America because I wasn’t really an expert in that market, but I knew that for the British market I thought it stood a really good chance of doing very well because Britain is very respectful of American soul artists from a certain period.

How was Tina’s confidence? Because at this point, she hadn’t ‘come back’ and she was on the verge of having all that big commercial success.  Was she nervous or in any way worried about the situation?

Tina was, as far as I understood, totally chilled about anything. She is a Buddhist anyway. She didn’t make a big deal out of it, and it’s not like some kind of tourist version of Buddhism, she believes it’s an integral part of her life, and she is quite calm because of it.  I think she really had a huge amount of faith in Roger Davies so it took a lot of pressure off her. You can never really say… with the benefit of hindsight you go ‘look at this fantastic master plan, isn’t this incredible. World domination!’. It’s not the way things work. It’s usually indications that there’s a public appetite for stuff.  So the first big indication was, obviously, ‘Let’s Stay Together’.  Then suddenly EMI were going, ‘oh my God this can be proper huge’ and then of course Roger got her to start performing again on a large scale and the whole thing just blew up and her career was relaunched in a supernova. Roger’s a very clever guy, and a very sweet guy as well, and quite a tough businessman but I suppose it’s a bit like the Terence Trent D’Arby thing that I did later on. Nobody could have really guessed that that was going to be so huge.

Was ‘Let’s Stay Together’ recorded at Abbey Road?

I think so, yeah.

You do another track on the album, the cover of David Bowie’s ‘1984’ – did that happen on a separate occasion or was that done at the same time?

In the same session, I think. Let me think about this for a second. It might be slightly later, I’m not sure. I think I’m right in saying that we were always commissioned to do two tracks and with my arty head on I thought it was really nice that the album was going to be coming out in 1984 and it was about 1984 and it was a futuristic song that was written way back… but she loved David Bowie so it all kind of made sense in my mind.

Were there any other tracks that you recorded, that didn’t get used, or was it just those two?

No. It was just those two for that album. We did some more tracks for the second album and I was thinking about this the other day, we did a cover version of ‘Take Me To The River’, which was on the B-side of a twelve-inch single [1986’s ‘Break Every Rule’] and we did ‘A Change Is Gonna Come’ on BEF’s Music Of Quality And Distinction Volume 2 (1991)].  I’m very proud of that production. By this time she had such a huge success with Private Dancer it was moving in more traditional rock direction, like Graham Lyle, that kind of stuff. Not that I’m knocking it, [but] it was moving away from wanting to sound more contemporary and she was in the space where she wanted to be. She wanted to be this big rock artist and then she didn’t do any more soul stuff or not very much electronic stuff either for that matter.

What did you think of the finished album Private Dancer when it came out, because there are a lot of different producers and different songwriters?

There were some really good songs on it. It could have been a bit more daring but at that point in recording history there were three or four albums that everybody had – I call them coffee table albums. And that was one of those. If you can get one of those albums then many, many, many millions will buy it. I don’t know, it may be different now, but I think it sold about 20 million and I often think to achieve that level of success in terms of sales, it needs to appeal to a lot of people in a smaller way than a smaller number of people in a really significant way. And I think Roger understood that. So the songs are very memorable but not particularly daring a lot of the time.

Do you take away a best memory from that period of working with Tina? What would you say is your abiding memory of that era?

I just thought she was a complete… if there was such a thing as a gentlewoman, as opposed to a gentleman; she was that, a very decent, honest, open, incredibly talented person. I suppose the most magical thing was the first take of her singing ‘Lets Stay Together’, it was literally what you hear on the record is all one take. She had clearly – and I had never come across this, and to be honest I don’t think I’ve ever come across it since, and I’ve worked with a huge number of people – she had clearly from the kind of background that she had come from, she had done her homework to the nth degree about how she wanted to sing that track. Nothing that came out, I got the impression was unplanned. It was all rehearsed.

I often say, particularly to young singers, I tell them this story and say ‘don’t assume that you can just turn up in a recording studio and everything that comes out of your mouth is going to sound great. It’s like doing revision for an exam, really, to a certain extent, she had nailed her interpretation of that song before she came to the studio. So, therefore, all she had to do was relax and then sing it. I mean, right from the very first note.  You’re already there aren’t you?  Telling a story, it’s the narrative, she has already established narrative in her head and where she’s going to go, she doesn’t want to peak too early because it leaves her nowhere to go, she will want to tell it as a story, you know, a three and a half minute movie in people’s heads.

You memorably performed with her on [UK TV music show] The Tube, was that after you had done the recording in the studio?

Yeah, that was nerve-wracking. I don’t think I’ve ever been so frightened in my life.

 How did that come about, that Tube performance?

Well The Tube was just starting. It might have even been the first one and Virgin were very excited about it because we used to – can you believe – we used to moan about there being very little opportunity to promote things on television. Anyway, it was the first episode and the EMI said would you like to perform ‘Let’s Stay Together’ with Tina on the show and we were like, ‘it’s a bit scary isn’t it?’

Was the single out at this point. I can’t remember what the timeline was?

I don’t know to be honest; you had better look that up. Anyway, so, the funniest part about it was we were having a nice time and me and Glenn were there, just two boys from Sheffield with nice suits on, having a pint of lager, and what have you, and Tina comes into our dressing room, like three quarters of an hour before, and this is live, and it’s scary as well. So she comes into the dressing room and says, ‘In the middle eight, I thought it would be good if the girls came around and run their hands up and down your body’ and me and Glenn were going ‘it’s not going to happen darling’.  We were terrified as it is and the last thing we need is any embarrassing moments on live television.  That terrified us even more because we thought they might do it anyway.  You’ve got to bear in mind this is a show that she had been doing for 30 years and we literally hadn’t performed live anywhere!

Thanks again to Martyn Ware for talking to us, back in 2014.


Secure your copy of the forthcoming SDE exclusive blu-ray of Tina Turner’s Private Dancer by using this SDE shop link or the button below. The pre-order window closes in six days.

The Private Dancer SDE exclusive blu-ray will be released on 25 September 2026 by SDE Records.

Tracklisting

Tina Turner / Private Dancer SDE exclusive blu-ray

Private Dancer Tina Turner / SDE exclusive blu-ray

    • Main album
      In the following audio streams: 2026 Atmos, 2026 5.1, 2026 Stereo, 2026 Instrumental Atmos, 2026 Instrumental 5.1, 2026 Instrumental Stereo, 1984 Stereo Mix (2015 Remaster)
      1. I Might Have Been Queen
      2. What’s Love Got To Do With It
      3. Show Some Respect
      4. I Can’t Stand The Rain
      5. Private Dancer
      6. Let’s Stay Together
      7. Better Be Good To Me
      8. Steel Claw
      9. Help
      10. 1984
    • Stereo only bonus tracks
      1. I Wrote A Letter
      2. Rock ‘n’ Roll Widow
      3. Don’t Rush the Good Things
      4. When I Was Young
      5. Keep Your Hands Off My Baby
      6. Let’s Stay Together (single edit)
      7. Help (single edit)
      8. Better Be Good To Me (single edit)
      9. Private Dancer (single edit)
      10. What’s Love Got to Do With It (extended version)
      11. Better Be Good To Me (extended version)
      12. I Can’t Stand the Rain (extended version)
      13. Show Some Respect (extended version)
      14. Hot For You Baby
      15. Let’s Stay Together (Alternative Radio Mix, 1983)
      16. Let’s Stay Together (TV Instrumental)
      17. What’s Love Got to Do With It (Dub Mix)
      18. Private Dancer (Sterling Version)
      19. Total Control
      20. We Don’t Need Another Hero (Thunderdome) (Single Edit)
      21. One of the Living (Single Remix)
      22. We Don’t Need Another Hero (Extended Mix)
      23. One of the Living (Special Club Mix)
      24. We Don’t Need Another Hero (Dub Version)
      25. One of the Living (Dub version)
    • Promo Videos
      1. Let’s Stay Together (Restored from original 16mm film)
      2. Help
      3. What’s Love Got to Do With It (Colour version)
      4. What’s Love Got to Do With It (B/W version)
      5. Better Be Good to Me
      6. Private Dancer (Full-length version) (Restored from original 35mm film)
      7. Private Dancer (Restored from original 35mm film)
      8. Show Some Respect